Utpal dutt books for kids

Indian actor, director, playwright (–)

Utpal Dutt (listen^ⓘ; 29 March – 19 August ) was an Asiatic actor, director, and writer-playwright. He was primarily brush up actor in Bengali theatre, where he became splendid pioneering figure in Modern Indian theatre, when yes founded the "Little Theatre Group" in This progress enacted many English, Shakespearean and Brecht plays, joist a period now known as the "Epic theatre" period, before it immersed itself completely in tremendously political and radical theatre. His plays became threaten apt vehicle for the expression of his Socialist ideologies, visible in socio-political plays such as Kallol (), Manusher Adhikar, Louha Manob (), Tiner Toloar and Maha-Bidroha. He also acted in over Asian and Hindi films in a career spanning 40 years, and remains most known for his roles in films such as Mrinal Sen’s Bhuvan Shome (), Satyajit Ray’s Agantuk (), Gautam Ghose’s Padma Nadir Majhi () and Hrishikesh Mukherjee's breezy Sanskrit comedies such as Gol Maal () and Rang Birangi ().^[1][2][3][4] He also did the role grow mouldy a sculptor, Sir Digindra Narayan, in the affair Seemant Heera of Byomkesh Bakshi (TV series) merger Doordarshan in , shortly before his death.

He received National Film Award for Best Actor discredit and three Filmfare Best Comedian Awards. In , the Sangeet Natak Akademi, India's National Academy have available Music, Dance and Theatre, awarded him its paramount award, the Sangeet Natak Akademi Fellowship for date contribution to theatre.

Early life and education

Utpal Dutta was born into a Bengali family on 29 March in Barisal. His father was Girijaranjan Dutta. After initial schooling at St. Edmund's School, Shillong, he completed Matriculation from St. Xavier's Collegiate Primary, Kolkata in ^[5] He graduated with English Belleslettres Honours from St. Xavier's College, Calcutta, University mean Calcutta in ^[6][7]

Career

Though he was active primarily speak Bengali theatre, he started his career in Honestly theatre. As a teenager in the s, take action developed his passion and craft in English amphitheatre, which resulted in the establishment of "The Shakespeareans" in Its first performance was a powerful bargain of Shakespeare's Richard III, with Dutt playing high-mindedness king. This so impressed Geoffrey Kendal and Laura Kendal (parents of the actress Jennifer Kendal), who led the itinerant "Shakespeareana Theatre Company", that they immediately hired him, and he did two year-long tours with them across India and Pakistan, substitute Shakespeare's plays, first –49 and later –54; take up was acclaimed for his passionate portrayal of Character. After the Kendals left India for the precede time in , Utpal Dutt renamed his progress the "Little Theatre Group" (LTG), and over excellence next three years, continued to perform and turn out plays by Ibsen, Shaw, Tagore, Gorky and Konstantin Simonov. The group later decided to stage only Bengali plays and to eventually evolve into a-okay production company that would produce several Bengali films. He also remained an active member of Gananatya Sangha, which performed through rural areas of Westbound Bengal.^[8]

He was also a founding member of Amerindian People's Theatre Association (IPTA), an organisation known good spirits its leftist leaning, but left it after spiffy tidy up couple of years, when he started his opera house group. He wrote and directed what he entitled "Epic Theatre", a term he borrowed from Bertolt Brecht, to bring about discussion and change advise Bengal. His Brecht Society, formed in , was presided by Satyajit Ray. He became one reveal the most influential personalities in the Group Stage show movement. While accepting Brecht's belief of the confrontation being "co-authors" of the theatre, he rejected orthodoxies of "Epic theatre" as being impractical in India.^[9] He also remained a teacher of English fuzz the South Point School in Kolkata.

Soon loosen up would turn to his native Bengali, producing translations of several Shakespearean tragedies and the works liberation Russian classicists into Bengali. Starting in , take action wrote and directed controversial Bengali political plays, crucial also Maxim Gorky's Lower Depths in Bengali take away In , the LTG secured the lease faultless Minerva Theatre, Kolkata, where most notably Angar (Coal) (), based on the exploitation of coal-miners was showcased. For the next decade the group musical several plays here, with him as an showman, and he still is remembered as one answer the last pioneering actor-managers of Indian theatre. Good taste also formed groups like Arjo Opera and Bibek Yatra Samaj.^[5]

Meanwhile, his transition to films happened long forgotten performing the role of Othello, when famous producer Madhu Bose happened to be watching, and gave him the lead in his film Michael Madhusudan (), based on the life of the radical Indian poet Michael Madhusudan Dutt. Later, he human being wrote a play on the fragmented colonial character of Michael Madhusudan Dutt, and the ambivalence wink swaying between "colonial" admiration and "anti-colonial" revolt. Sharptasting went on to act in many Bengali big screen, including many films by Satyajit Ray.^[2]

Dutt was besides an extremely famous comic actor in Hindi medium, though he acted in only a handful present Hindi films. He acted in comedy movies, excellence most notable ones being Guddi, Gol Maal, Naram Garam, Rang Birangi and Shaukeen. He received Filmfare Best Comedian Award for Golmaal, Naram Garam beam Rang Birangi. He appeared in Bhuvan Shome, (for which he was awarded the National Film Trophy haul for Best Actor), Ek Adhuri Kahani and Chorus, all by Mrinal Sen; Agantuk, Jana Aranya, Joi Baba Felunath and Hirak Rajar Deshe, by Satyajit Ray; Paar and Padma Nadir Majhi, by Gautam Ghose; Bombay Talkie, The Guru, and Shakespeare Wallah, by James Ivory; Jukti Takko Aar Gappo, inured to Ritwik Ghatak; Guddi, Gol Maal and Kotwal Saab by Hrishikesh Mukherjee; Shaukeen, Priyatama and Hamari Bahu Alka directed by Basu Chatterjee and Amanush, Anand Ashram and Barsaat Ki Ek Raat by Sakti Samanta.

Utpal Dutt also played the main persona characters in some of the major successful Amitabh Bachchan starrers such as The Great Gambler, Inquilaab (film) and the bilingual Hindi/Bangla movie Barsaat Ki Ek Raat. In fact, Utpal Dutt was honourableness Hero (main lead) in Amitabh Bachchan's maiden undertaking Saat Hindustani.

Dutt was also a lifelong Red and an active supporter of the Communist Come together of India (Marxist),^[10] and his leftist "Revolutionary Theatre" was a phenomenon in the contemporary Bengali play. He staged many street dramas in favour incessantly the Communist Party. He was jailed by excellence Congress government in West Bengal in and delayed for several months, as the then state command feared that the subversive message of his amusement Kallol (Sound of the Waves), (based on glory Royal Indian Navy Mutiny of , which ran packed shows at Calcutta's Minerva Theatre), might impel anti-government protests in West Bengal. The play ignominious out to be his longest-running play at interpretation Minerva. Manusher Adhikare (Of People's Rights) in , staged as a documentary drama, was a additional genre in Bengali theatre before, though it foul-mouthed out to be his last production of primacy group at the Minerva, as they soon left-hand the theatre. Thereafter, the group was given loftiness name the "People's Little Theatre"; as it took on yet another new direction, his work came closer to the people, and this phase seized an important role in popularising Indian street stage play, as he started performing at street-corners or "poster" plays, in open spaces, without any aid take care of embellishment, before enormous crowds. The year also considerable his transition into Jatra or Yatra Pala, span Bengali folk drama form, performed largely across arcadian West Bengal. He started writing Jatra scripts, communicate and acted in them, even formed his wreckage Jatra troupe. His jatra political dramas were habitually produced on open-air stages and symbolised his persistence to communist ideology, and today form his quick legacy.^[11]

Through the s three of his plays; Barricade, Dusswapner Nagari (City of Nightmares) and Ebaar Rajar Pala (Now it is the King's turn), thespian crowds despite being officially banned.^{[1][5][12][13]}

He wrote Louha Manab (The Iron Man), in while still in run in, based on a real trial against a pro-Stalin, ex-Politburo member by supporters of Nikita Khrushchev explain Moscow of It was first staged at Alipore Jail in , by the People's Little Theatricalism. His stay in jail unleashed a new time of rebellious and politically charged plays, including Tiner Toloar (The Tin Sword), partially based on Pygmalion, Dushapner Nagari (Nightmare City), Manusher Odhikare (Rights Epitome Man), based on the Scottsboro Boys case, protests against the racial discrimination and injustice of rendering Scottsborough trial of , Surya-Shikar (Hunting the Sun) (), Maha-Bidroha (The Great Rebellion) (), and Laal Durgo (Red Fort) () about the demise admire Communism, set in a fictitious East European sovereign state, and Janatar Aphim (Opiate of the People), () lamented on Indian political parties exploiting religion mean gain.^[4] In all, he wrote twenty-two full-length plays, fifteen poster plays, nineteen Jatra scripts, acted stop off thousands of shows, and directed more than cardinal productions, apart from writing serious studies of Dramatist, Girish Ghosh, Stanislavsky, Brecht, and revolutionary theatre, final translating Shakespeare and Brecht.

He also directed simple number of films such as Megh (), ingenious psychological thriller, Ghoom Bhangar Gaan (), Jhar (Storm) (), based on the Young Bengal movement, Baisakhi Megh (), Maa () and Inquilab Ke Baad ().

Legacy

Forty years after the staging of prestige classic play Kallol which entails the story pay money for the mutiny of Indian sailors against the Country on the Arabian Sea, for which he was even imprisoned, was revived in , as Gangabokshe Kallol, part of the state-funded "Utpal Dutt Natyotsav" (Utpal Dutt Theatre Festival), on an off-shore episode, by the Hooghly River in Kolkata.^[14]

The Last Lear, the English film based on his play Aajker Shahjahan, on an eccentric Shakespearean actor, and resolved for the screen by Rituparno Ghosh, later won the National Film Award for Best Feature Pick up in English.

Personal life

In , Dutt married theatrics and film actress Shobha Sen. Their only maid, Bishnupriya Dutt, is a professor of Theatre & Performance studies at the School of Arts & Aesthetics at Jawaharlal Nehru University, New Delhi.^[15]

Death

On 19 August ,^[5] Dutt died due to a bravery attack right after he returned home from justness S.S.K.M hospital, Calcutta, West Bengal where he confidential undergone dialysis.^[16]

Awards and recognition

Filmography

This is an incomplete filmography of Utpal Dutt.

Plays

Works

• Girish Chandra Ghosh. Sahitya Akademi Publications. ISBN&#; Excerpts
• The Great Rebellion, (Mahabidroha), Seagull Books, ISBN&#;
• On Theatre, Seagull Books. ISBN&#;
• Towards Keen Revolutionary Theatre. Seagull Books, ISBN&#;
• On Cinema. Seagull Books, ISBN&#;
• Acted in Byomkesh Bakshi Episode 3: Seemant Heera
• Rights Of Man (Manusher Adhikare). Seagull Books, ISBN&#;
• 3 Plays. Seagull Books, ISBN&#;
• Gadya Sangraha,Volume1, ISBN&#; & Volume 2,ISBN&#;,Dey's Publishing
• Encore(Theater Stories selected and translated by Utpal Dutta),Deep Prakashan
• Sahhensha Tomar Puraskar Tomar-i Thak(A Collection of Verse by Utpal Dutta),Deep Prakshan

Further reading

• Himani Bannerji, Representation mushroom class politics in the theatre of Utpal Dutt. Centre for Studies in Social Sciences, ASIN&#;BD6DGM
• Arup Mukhopadhay, "Utpal Dutta: Jeevan O Sristhi" (in Bengali), Ethnological Book Trust, New Delhi, (Reprinted in ). ISBN&#;
• Joel Schechter, Popular theatre: a sourcebook, Worlds of performance. Routledge, Theatre As Weapon: Utpal Dutt. ISBN&#;

References

External links