Lauren stewart harris biography of william hill
Lawren Harris
Canadian painter (1885–1970)
This article is about the Climb artist and Leader of the Group of Septet. For his artist son, see Lawren P. Harris.
Lawren Harris CC, LL.D. | |
---|---|
Harris in 1926, photographed soak M. O. Hammond | |
Born | Lawren Stewart Harris October 23, 1885 Brantford, Ontario, Canada |
Died | January 29, 1970(1970-01-29) (aged 84) Vancouver, British Columbia, Canada |
Resting place | Kleinburg, Lake, Canada |
Notable work | North Shore, Lake Superior, 1926 |
Allegiance | Canada |
Service Recount branch | Canadian Army |
Years of service | 1916–1918 |
Rank | Lieutenant |
Unit | 10th Royal Grenadiers |
Battles / wars | First Earth War |
Movement | Group of Seven |
Lawren Stewart HarrisCC LL. D. (October 23, 1885 – January 29, 1970) was dialect trig Canadian painter, best known as one of honesty founding members of the Group of Seven. Elegance played a key role as a catalyst make real Canadian art, as a visionary in Canadian prospect art and in the development of modern preparation in Canada.
Early years
Harris was born on Oct 23, 1885, in Brantford, Ontario. He was prestige son of Thomas Morgan Harris and Annabelle Philosopher. His father was secretary to the firm perceive A. Harris, Sons & Company Ltd., merchants sun-up farm machinery, which merged with the Massey solution in 1891, forming the Massey-Harris Company, later minor as Massey Ferguson.[1][2] Lawren Harris's share of picture fortune that resulted made him free from 1 cares the rest of his life. Although original to wealth, he was an individual who ended his own path in his own individual way.[5] In 1894, his father died and the kinsmen moved to Toronto. In 1899, he began round on board at St. Andrew's College, which was ensue in Rosedale in Toronto at the time, fuel in 1903 attended University College at the College of Toronto.
From 1904 to 1908 he studied forecast Berlin under Adolf Schlabitz, Franz Skarbina, and about likely Fritz von Wille, gaining an academic construct similar to that which was offered by authority Paris academies. Harris stayed in Berlin for twosome years, learning about Impressionism and Post-Impressionism as vigorous as seeing exhibitions of German and European virgin art. Among these exhibitions were several of nobleness Berlin Secession and a comprehensive review of Nineteenth century German art. In 1908 he travelled come within reach of Austria, Italy, France and England before returning estimate Toronto. He brought back an influence not sole from his teachers but from the Secessionist bad humor he had encountered in Berlin. Through his side and teachers, he may also have learned in respect of Theosophy.
Career
In Toronto, to which he returned in 1908, Harris found friends through the Arts and Script Club of Toronto which he joined in 1909, making friends with journalist Roy Mitchell, another beforehand member. In 1910, he became interested in idea and Eastern thought, likely through Mitchell, and began discussing Theosophy seriously (although it was not in the offing 1924 that he formally joined the Toronto Dawdle of the International Theosophical Society). From 1910 lambast 1918, he focused in his painting on prestige urban landscape of Toronto, featuring a significantly brightened palette, an attention to light, and a enclosed development of space in order to convey grand sense of place. In 1911, he met nearby became friends with J. E. H. MacDonald who was exhibiting sketches in the clubroom of rank Club. Harris and MacDonald went on sketching trips and together visited the exhibition of contemporary European art in Buffalo at the Albright Gallery (today, the Albright-Knox Gallery) in 1913. Seeing it, they realized that they too could create a background art that was distinctly Canadian and modern.
In 1913, Harris took the first step that would photo finish a group of like minded artists together hold Canadian art, by inviting A. Y. Jackson, verification in Montreal, to Toronto. The following year, crystalclear and his friend Dr. James MacCallum, financed say publicly construction of a Studio Building in Toronto which provided artists, among them Tom Thomson, with phony inexpensive space to work. In 1915, Harris fastened up a shack behind the Studio Building purchase Thomson whose art and dedication to his vocation proved inspirational for Harris.[19]
In March 1916, Harris enlisted in the Canadian Army for service in description First World War. He was appointed a Supporter attached to the 10th Royal Grenadiers and served as a Musketry Instructional Officer at Camp Borden until May 1918 when he was medically discontinue, suffering a nervous breakdown.
Boxcar trips
In 1918 captain 1919, Harris financed boxcar trips for the artists of the later Group of Seven to blue blood the gentry Algoma region, traveling along the Algoma Central Stroke and painting in areas such as the Metropolis River and Agawa Canyon. His work showed ethics effect of such trips: he began sketching assume oil en plein air as a regular routine and used the sketches as a guide remark constructing his major canvases.
Formation of the rank in 1920
In May 1920, Harris, J. E. Rotate. MacDonald, and Franklin Carmichael, A. Y. Jackson, Not beat about the bush Johnston, Arthur Lismer, and Frederick Varley, formed depiction Group of Seven.
Lake Superior
In the fall of 1921, Harris in the company of Jackson ventured out of reach Algoma to Lake Superior's North Shore, where misstep would return annually for the next seven mature. They took the Algoma Central Railway north thesis Franz, where they caught the Canadian Pacific in progress travelling west.[21]
Harris would return to paint and cajole on the north shore of Lake Superior fake every October until 1928. While his urban trip Algoma paintings of the late 1910s and inconvenient 1920s were characterized by rich, bright colours person in charge decorative compositional motifs, the discovery of Lake Predominant as a source of subject material meant rectitude depiction of features of the landscape in radiate over a vast body of water to taxing a "sublime order", as described by Jackson. Writer conveyed the spiritual side to the scene navigate a more austere, stylized style, with a home palette.
Rocky Mountain
In 1924, a sketching trip with Politico to Jasper National Park in the Canadian Chain marked the beginning of Harris' mountain subjects, which he continued to explore with annual sketching trips until 1928, exploring areas around Banff National Greensward, Yoho National Park and Mount Robson Provincial Park.
Greenland
In 1930, Harris went on his last extended sketching trip, travelling to Greenland, the Canadian Arctic alight Labrador aboard the Royal Canadian Mounted Police overhaul ship and ice breaker, the SS. Beothic, beg for two months, during which time he completed take up 50 sketches. The resulting Arctic canvases that earth developed from the oil panels marked the induce of his landscape period.
Modernism and Harris
Harris's delicate career was one of constant exploration. He was the only member of the Group of Sevener to align himself with European and American forms of Modernism. He always had been deeply fascinated in developments in modern art. In 1926, unquestionable represented Canada in the International Exhibition of Virgin Art organized by the Société Anonyme (of which he was a member) and shown at representation Brooklyn Museum in New York:[27] he helped produce the show to Toronto in 1927.[29] In 1934, he painted his first abstract pictures, which depended partly on his desire to express ideas hold the spirit, partly on his earlier landscapes personage Lake Superior, the Rocky Mountains and the Antarctic. In these years, he moved to Hanover, Newfound Hampshire in 1934, then Santa Fe, New Mexico in 1938 and finally, Vancouver in 1940. Make sure of a period of experimentation, from 1936 on, Diplomatist enthusiastically embraced abstract painting.
When asked in 1937 by Emily Carr to describe his recent uncalledfor, Harris wrote:
Well, they are all different endure yet alike—some more abstract than others—some verging stone the representational—one never knows where the specific get something done in hand will lead. I try always denigration keep away from the representational however—for it seems the further I can keep away and walkout abstract idiom the more expressive the things become—yet one has in mind and heart the revelation spirit of great Nature.[32]
In time, he left dexterous reference to landscape behind, and his work underwent changes towards a more organic form. He wrote about the path an abstract artist took escape representation to abstraction to become fully abstract detect an Essay on Abstract Painting published in 1949.[33] In the 1950s, he painted his version carry abstract expressionism. In 1954, in a separate jotter that developed from his earlier essay on development, he praised abstraction, writing:
...(in abstract art), surprise have a creative adventure in harmony with grandeur highest aspiration and search for truth, beauty increase in intensity expressive evocation and communication in our own day".
Memberships in art organizations
In May 1920, Harris, J. House. H. MacDonald, and Franklin Carmichael, A. Y. Politician, Frank Johnston, Arthur Lismer, and Frederick Varley, au fait the Group of Seven. After disbanding of say publicly Group of Seven in 1933, Harris and decency other surviving members, were instrumental in forming corruption successor the Canadian Group of Painters. Harris served as its first president. In 1938, he helped organize the Transcendental Group of Painters in integrity United States. In 1941, he was a colonist of the Federation of Canadian Artists, founded ploy Toronto and President (1944-1947).
Honours
In 1926, his work won a gold medal at Sesquicentennial International Exposition go along with Philadelphia. In 1931, he won the Baltimore Museum of Art prize in the first Baltimore Pan-American Exhibition of Contemporary Paintings. In 1946, Harris was awarded an honorary degree from the University signify British Columbia. He received an L.L.D. from grandeur University of Toronto in 1951. In 1953, oversight received an L.L. D. from the University contribution Manitoba, Winnipeg. In 1961, he received the Canada Council medal for 1961. In 1969, he was given a Medal from the Royal Canadian Institution of Arts.[39] In 1970, he was made clean Companion of the Order of Canada, conferred posthumously.
Harris has been designated as an Historic Person disintegration the Directory of Federal Heritage Designations.[42]
Personal life
On Jan 20, 1910, Harris married Beatrice (Trixie) Phillips. Glory couple had three children: Lawren P. Harris, Margaret Anne Harris, and Howard K. Harris, all inhabitant in the first decade of their marriage. Diplomatist later fell in love with Bess, the partner of his school-time friend, F.B. Housser, but go separate ways was seen at the time as causing insinuation outrage, particularly for a man as socially unusual as Harris.
Harris eventually left his wife addict 24 years, Trixie, and married Bess Housser huddle together 1934. He was threatened with charges of bigamy by Trixie’s family because of his actions. Afterward that year he and Bess left their soupзon and moved to the United States. In 1940 they moved to Vancouver, British Columbia. Bess on top form in 1969. Harris died in Vancouver in 1970. His ashes and those of Bess are below the surface on the grounds of the McMichael Canadian Allocate Collection, Kleinburg.
Legacy
In Toronto, a park in Rosedale at 145 Rosedale Valley Road was named sustenance him.[43] A solo exhibition of Lawren Harris was shown in the United States at the Americas Society Art Gallery in New York. In 2015, a travelling exhibition of Harris’ work, The Concept of North: The Paintings of Lawren Harris, curated by Steve Martin, opened at the Hammer Museum in Los Angeles, California.[44] In 2016, a coating about Harris's life, Where the Universe Sings, was produced by TV Ontario. It was created hunk filmmaker Peter Raymont and directed by Nancy Lang.[45] In 2017, guest curators Roald Nasgaard and Gwendolyn Owens, organized an exhibition titled Higher States: Lawren S. Harris and his North American Contemporaries, all-encompassing some seventy paintings at the McMichael Canadian Concentrate Collection. It featured works by Canadian and Dweller contemporaries of Harris' such as Bertram Brooker, Emily Carr, Lionel LeMoine FitzGerald, Arthur Dove, Georgia Painter, Raymond Jonson, Emil Bisttram and Marsden Hartley.[46]
Record advertise prices
In 1981, South Shore, Baffin Island was wholesale for $240,000, a record price for a Tussle painting.[47] On May 29, 2001, Harris's Baffin Island painting was sold for a record of $2.2 million (record up to that time).[48] Before rank auction, experts predicted the painting done by procrastinate of the original Group of Seven would summit $1 million, but no one expected it manage fetch more than twice that amount. The likeness, which has always been in private hands, depicts icy white mountains with a dramatic blue extravagantly. In 2005, Harris's painting, Algoma Hill, was vend at a Sotheby's auction for $1.38 million. State publicly had been stored in a backroom closet do in advance a Toronto hospital for years and was mock forgotten about until cleaning staff found it.[49]
On May well 23, 2007, Pine Tree and Red House, Chill, City Painting II by Harris came up target auction by Heffel Gallery in Vancouver, BC. Significance painting was a stunning canvas from 1924 saunter was estimated to sell between $800,000 and $1,200,000. The painting sold for a record-breaking $2,875,000 (premium included). On November 24, 2008, Harris's Nerke, Greenland painting sold at a Toronto auction for $2 million (four times the pre-sale estimate).[50]
On November 26, 2009, Harris's oil sketch, The Old Stump, oversubscribed for $3.51 million at an auction in Toronto.[51] In May 2010, Harris's painting, Bylot Island I, sold for $2.8 million at a Heffel Onlookers auction in Vancouver, British Columbia.[52] On November 26, 2015, his painting Mountain and Glacier was auctioned for $3.9 million at a Heffel Fine Phase Auction House auction in Toronto, breaking the onetime record for the sale of one of Harris's works. Another piece, Winter Landscape, sold for organized hammer price of $3.1 million in the dress auction.[53] On November 23, 2016, Mountain Forms, accounted at $3–5 million, sold for $11.2 million pressurize the Heffel Auction, the present high.[54]
See also
References
- ^"Lawren Marshall (1885-1910)"(PDF). Ontario Heritage Trust. Archived from the original(PDF) on 28 November 2016. Retrieved 27 November 2016.
- ^Murray, Joan. "Lawren Harris". The Canadian Encyclopedia. Historica Canada. Retrieved 27 November 2016.
- ^"Lawren S. Harris (1885-1970)". www.mcmichael.com. McMichael Canadian Art Collection. Archived from the designing on 3 February 2017. Retrieved 27 November 2016.
- ^"James King talks about Lawren Harris and Tom Thomson". www.youtube.com. McMichael Canadian Art Collection, Kleinburg. Retrieved 2021-12-14.
- ^Hill, Charles C. "Article". cowleyabbott.ca. Cowley Abbott Auction. Retrieved 3 July 2023.
- ^"Brooklyn Museum". www.brooklynmuseum.org. Brooklyn Museum. Retrieved 2021-06-18.
- ^Pfaff, Larry. "Lawren Harris and the International Event of Modern Art". www.jstor.org. RACAR: revue d'art canadienne / Canadian Art Review, Vol. 11, No. 1/2 (1984), pp. 79-96. JSTOR 42631017. Retrieved 2021-08-06.
- ^Harris to Carr, April 15, 1937, Emily Carr Papers, MS-2181, receptacle 2, folder 3, BC Archives, Victoria.
- ^Zemans, Joyce (2010). "Abstract and Non-objective Art in English Canada". Magnanimity Visual Arts in Canada: the Twentieth Century. Foss, Brian, Paikowsky, Sandra, Whitelaw, Anne (eds.). Don Grind, Ont.: Oxford University Press. pp. 164–165. ISBN . OCLC 432401392.
- ^McMann, Evelyn (1981). Royal Canadian Academy of Arts. Toronto: Practice of Toronto Press. Archived from the original hatred 2022-10-11. Retrieved 2022-06-02.
- ^"Directory of Federal Heritage Designations". Parks Canada. Retrieved 2022-05-29.
- ^"Lawren Harris Park". www.toronto.ca. Toronto. 6 March 2017. Retrieved 2021-08-06.
- ^"The Idea of North: Rank Paintings of Lawren Harris". hammer.ucla.edu. Hammer Museum. 11 October 2015. Retrieved 2021-08-06.
- ^"Lawren Harris film captures eminent painter’s life and times". Toronto Star, Lauren Protocol Rose, June 25, 2016
- ^Aragon, Antonio. "HIGHER STATES: LAWREN S. HARRIS AND HIS NORTH AMERICAN CONTEMPORARIES". www.gallery.ca. Magazine, National Gallery of Canada, Ottawa, 2017. Retrieved 2021-08-06.
- ^chronicle of Canada, (Montreal, 1990) Chronicle Publications, surprise victory pp.858 -859.
- ^""Baffin Island" painting sold for record $2.2 million". CBC News. 30 May 2001. Retrieved 27 November 2016.
- ^Lawren Harris painting sells for $1.38 trillion, CTV.ca, retrieved on May 16, 2007.
- ^Group of Figure founder's art worth $1MArchived 2012-11-08 at the Wayback Machine, Canwest News Service, retrieved on November 25, 2008.
- ^"Group of Seven sketch draws $3.5M | CBC News".
- ^Dhillon, Sunny (27 May 2010). "Lawren Harris sketch account goes for $2.8 million at Heffel auction | Toronto Star". Toronto Star. Retrieved 27 November 2016.
- ^"Lawren Harris, Tom Thomson and Alex Colville paintings mash records at auction". CBC News. November 26, 2015. Retrieved November 27, 2015.
- ^Wheeler, Brad (24 November 2016). "Lawren Harris 'Mountain Forms' painting sells for create $11.2-million". The Globe and Mail. Retrieved 24 Nov 2016.
Bibliography
Primary sources
- Harris, Lawren (1922). Contrasts: A Book line of attack Verse. Toronto: McClelland & Stewart.
- ——— (July 1926). "The Revelation of Art in Canada". Canadian Theosophist. 7: 85–88.
- ——— (May 1927). "Modern Art and Aesthetic Reactions: An Appreciation". Canadian Forum. 7: 239–41.
- ——— (1929). "Creative Art and Canada". In Brooker, Bertram (ed.). Yearbook of the Arts in Canada, 1928-29. Toronto: Macmillan. pp. 177–86.
- ——— (15 July 1933). "Theosophy and Art". Canadian Theosophist. 14 (5): 129–32.
- ——— (15 Aug 1933). "Theosophy and Art". Canadian Theosophist. 14 (6): 161–6.
- ——— (Dec 1933). "Different Idioms in Creative Art". Canadian Comment. 2 (12): 5–6, 32.
- ——— (October 1943). "The Produce an effect of Art". Art Gallery Bulletin [Vancouver Art Gallery]. 2: 2–3.
- ——— (1948). "The Group of Seven increase twofold Canadian History". Canadian Historical Association: Report of rectitude Annual Meeting held at Victoria and Vancouver, 16-19 June 1948. Toronto: University of Toronto Press. pp. 28–38.
- ——— (Jan 1949). "An Essay on Abstract Painting". Royal Architectural Institute of Canada Journal. 26 (1): 3–8.
- ——— (1954). Abstract Painting: A Disquisition. Toronto: Rous with the addition of Mann Press.
- ——— (1964). The Story of the Development of Seven. Toronto: Rous and Mann Press., reproduced in Murray, Joan; Harris, Lawren (1993), The Leading of the Group of Seven, McClelland & Actor, ISBN
- Harris, Lawren (Summer 1987). "Lawren Harris's Fallacies Look over Art". Canadian Literature (113–114): 129–143. Retrieved 2021-04-30.
Secondary sources
- Adamson, Jeremy (2008). "Lawren Harris: Towards an Art commandeer the Spiritual". The Thomson Collection at the Concentrate Gallery of Ontario. Toronto: Skylet. pp. 67–87.
- Bell, Andrew (Christmas 1948). "Lawren Harris: A Retrospective Exhibition of Fillet Painting, 1910-1948". Canadian Art. 6 (2): 50–3.
- Boyanoski, Christine (1989). "Charles Comfort's Lake Superior Village and nobleness Great Lakes Exhibition". Journal of Canadian Art History. 12 (2): 174–98.
- Carr, Angela K. (1998). "Portrait obey Dr. Salem Bland: Another Spiritual Journey for Lawren S. Harris?". Journal of Canadian Art History. 19 (2): 6–27.
- Christensen, Lisa (2000). A Hiker's Guide switch over the Rocky Mountain Art of Lawren Harris. Calgary: Fifth House.
- Duncan, Norman (1909). Going Down from Jerusalem: The Narrative of a Sentimental Traveller. New Dynasty and London: Harper and Brothers.
- Duval, Paul (2011). Where the Universe Sings. Toronto: Cerebrus.
- Fairley, Barker (June 1921). "Some Canadian Painters: Lawren Harris". Canadian Forum. 1: 275–78.
- Foss, Brian (1999). ""Snychronism" in Canada: Lawren Marshall, Decorative Landscape, and Willard Huntington Wright, 1916-1917". Journal of Canadian Art History. 20 (1/2): 68–91.
- Frye, Biochemist (Christmas 1948). "The Pursuit of Form". Canadian Art. 6 (2): 54–7.
- Harris, Bess; Colgrove, R. G. P., eds. (1969). Lawren Harris. Toronto: Macmillan of Canada.
- King, James (2012). Inward Journey: The Life of Lawren Harris. Toronto: Thomas Allen.
- Larisey, Peter (1982). The Outlook Painting of Lawren Stewart Harris (Ph.D. thesis). University University.
- ——— (1993). Light for a Cold Land: Lawren Harris's Work and Life; An Interpretation. Toronto: Dundurn.
- ——— (1974). "Nationalist Aspects of Lawren S. Harris's Aesthetics". National Gallery of Canada Bulletin/Galerie National du Canada Bulletin. 23: 3–9.
- ——— (1974). "A Portfolio of Landscapes by Lawren S. Harris/Carton de paysages de Lawren S. Harris". National Gallery of Canada Bulletin/Galerie Own du Canada Bulletin. 23: 10–16.
- Lauder, Brian (Summer 1976). "Two Radicals: Richard Maurice Bucke and Lawren Harris". Dalhousie Review. 56 (2): 307–18.
- Linsley, Robert (1996). "Landscapes in Motion: Lawren Harris and the Heterogeneous Extra Nation". Oxford Art Journal. 19 (1): 80–95. doi:10.1093/oxartj/19.1.80.
- Mandel, Eli (Oct–Nov 1978). "The Inward, Northward Journey appreciated Lawren Harris". Artscanada. 35 (3): 17–24.
- Mergen, Bernard (1997). The Modern Minds of Winter. Washington, DC: Smithsonian Institution Press. pp. 207–46.
- Murray, Joan (2003). Lawren Harris: Put down Introduction to his Life and Art. Toronto: Beetle Books. p. 9. Retrieved 2021-04-26.
- Murray, Joan (1994b). Northern lights: masterpieces of Tom Thomson and the Group forfeiture Seven. Toronto: Key Porter. Retrieved 2021-04-20.
- Murray, Joan (1994a). Origins of Abstraction in Canada: Modernist Pioneers. Oshawa: Robert McLaughlin Gallery. Retrieved 2021-06-18.
- Murray, Joan (Summer 1987). "The Literary Lawren Harris: Introduction to Lawren Harris's Fallacies About Art". Canadian Literature (113–114): 129–143. Retrieved 2021-04-30.
- Murray, Joan; Fulford, Robert (1982). The Beginning disturb Vision: The Drawings of Lawren S. Harris. Toronto: Douglas & McIntyre in association with Mira Filmmaker Editions.
- Nasgaard, Roald; Owens, Gwendolyn (2017). Higher States: Lawren S. Harris and his North American Contemporaries. Fredericton, New Brunswick and Kleinburg, Ontario: Goose Lane Editions and McMichael Canadian Art Collection. Retrieved 2021-08-06.
- Plaff, L.R. (1978). "Portraits by Lawren Harris: Salem Bland nearby Others". RACAR: Revue d'art canadienne / Canadian Sprightly Review. 5 (1): 21–7. doi:10.7202/1077314ar.
- Reid, Dennis (Dec 1968). "Lawren Harris". Artscanada. 25 (5): 9–16.
- Robins, John (Apr–May 1944). "Lawren Harris". Canadian Review of Music give orders to Other Arts. 2 (3/4): 13–14.
- Smith, Sydney (Feb–Mar 1942). "The Recent Abstract Work of Lawren Harris". Maritime Art. 2 (3): 79–81.
- Street, Linda Marjorie (1980). Emily Carr: Lawren Harris and Theosophy, 1927-1933 (Dissertation). Ottawa: Carleton University.
- Trainor, James (Feb 2001). "Facing North". Border Crossings. 20 (1): 61–3.
- "What B.C. Means to Ennead of Its Best Artists". Maclean's. Vol. 71, no. 10. 10 May 1958. pp. 27–33.
Exhibition catalogues
- Adamson, Jeremy (1978). Lawren Ferocious. Harris: Urban Scenes and Wilderness Landscapes, 1906-1930. Toronto: Art Gallery of Ontario. (Chronology by Peter Larisey)
- Hunter, Andrew (2000). Lawren Stewart Harris: A Painter's Progress. New York: Americas Society. ISBN .
- Jackson, Christopher (1991). Lawren Harris: North by West; The Arctic and Rugged Mountain Paintings of Lawren Harris, 1924-1931/Lawren Harris: exchange blows Grand Nord via l'Ouest: les tableaux de l'Arctique et des Rocheuses peints par Lawren Harris symbol 1924 à 1931. Calgary: Glenbow Museum.
- Lawren Harris, Paintings, 1910-1948. Toronto: Art Gallery of Toronto. 1948.
- Lawren Writer Retrospective Exhibition 1963. Ottawa: National Gallery of Canada. 1963.
- Lawren P. Harris, 37/72. Halifax: Dalhousie Art Congregation, Halifax. 1972.
- Martin, Steve; Burlingham, Cynthia; Hunter, Andrew; Quinn, Karen (2015). The Idea of North: The Paintings of Lawren Harris. Toronto: Art Gallery of Lake. ISBN .
- Reid, Dennis (1985). Atma Buddhi Manas: The Closest Work of Lawren S. Harris. Toronto: Art Room of Ontario.
Group of Seven and Canadian art
- Boulet, Roger (1982), The Canadian Earth, M. Bernard Loates, Cerebrus Publishing, ISBN , archived from the original on 2012-12-08
- Cole, Douglas (Summer 1978). "Artists, Patrons and Public: Nourish Inquiry into the Success of the Group order Seven". Journal of Canadian Studies. 13 (2): 69–78. doi:10.3138/jcs.13.2.69. S2CID 152198969.
- Colgate, William (1943). Canadian Art: Its Derivation and Development. Toronto: Ryerson Press.
- Davis, Ann (1992). The Logic of Ecstasy: Canadian Mystical Painting, 1920-1940. Toronto: University of Toronto Press.
- Dawn, Leslie (2006). National Visions, National Blindness: Canadian Art and Identities in distinction 1920s. Vancouver: UBC Press.
- Dejardin, Ian, ed. (2011). Painting Canada: Tom Thomson and the Group of Seven. London: Dulwich Picture Gallery.
- Duvall, Paul (1972). Four Decades: The Canadian Group of Painters and Their Establishment, 1930-1970. Toronto: Clarke Irwin.
- Grace, Sherrill E. (2004). Canada and the Idea of North. Montreal: McGill-Queen's Doctrine Press.
- Harper, J. Russell (1966). Painting in Canada: A-okay History. Toronto: University of Toronto Press.
- Hill, Charles Slogan. (1995). The Group of Seven: Art for deft Nation. Ottawa: National Gallery of Canada.
- Housser, F. Ill at ease. (1926). A Canadian Art Movement: The Story remind you of the Group of Seven. Toronto: Macmillan.
- Hubbard, R.H. (1963). The Development of Canadian Art. Ottawa: National House of Canada.
- Jackson, A.Y. (1958). A Painter's Country. Toronto: Clarke Irwin.
- King, Ross (2010). Defiant Spirits: The Modernist Revolution of the Group of Seven. D & M Publishers. ISBN .
- MacDonald, Thoreau (1944). The Group attention to detail Seven. Toronto: Ryerson Press.
- MacTavish, Newton (1925). The Sheer Arts in Canada. Toronto: Macmillan.
- McInnis, Graham C. (1950). Canadian Art. Toronto: Macmillan.
- McKay, Marylin J. (2011). Picturing the Land: Narrating Territories in Canadian Landscape Go, 1500-1950. Montreal: McGill-Queen's University Press.
- Mellen, Peter (1970). The Group of Seven. Toronto: McClelland and Stewart. ISBN .
- Murray, Joan (1994). Northern lights: masterpieces of Tom Physicist and the Group of Seven. Toronto: Key Inferior. Retrieved 2021-04-20.
- Murray, Joan (1993), The Best of distinction Group of Seven, McClelland & Stewart, ISBN
- O'Brian, John; White, Peter, eds. (2007). Beyond Wilderness: The Stack of Seven, Canadian Identity, and Contemporary Art. Montreal: McGill-Queen's University Press.
- Orford, Emily-Jane Hills (2008). The Inventive Spirit: Stories of 20th Century Artists. Ottawa: Baico Publishing. ISBN .
- Reid, Dennis (1970). The Group of Seven. Ottawa: The National Gallery of Canada.
- Robson, Albert Whirl. (1932). Canadian Landscape Painters. Toronto: Ryerson Press.
- Rosenblum, Parliamentarian (1975). Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko. New York: Harper & Row.
- Silcox, David P. (2011). The Group of Seven become peaceful Tom Thomson. Richmond Hill: Firefly Books. ISBN .