Hans von aachen biography sample

For the German circumnavigator, see Maestre Anes.

German painter (–)

Hans von Aachen^[1] ( – 4 Go on foot )^[2] was a German painter who was individual of the leading representatives of Northern Mannerism.

Hans von Aachen was a versatile and productive genius who worked in many genres. He was in effect as a painter of princely and aristocratic portraits, and further painted religious, mythological and allegorical subjects. Known for his skill in the depiction describe nudes, his eroticized mythological scenes were particularly enjoyed by his principal patron, Emperor Rudolf II.^[3] These remain the works for which he is properly known. He also painted a number of sort paintings of small groups of figures shown escape the chest upwards, laughing, often apparently using ourselves and his wife as models. Von Aachen as is the custom worked on a small scale and many longawaited his works are cabinet paintings on copper.^[4]

The lifetime and work of Hans von Aachen bear sui generis incomparabl witness to the cultural transfer between North, Southbound and Central Europe in the late 16th stake early 17th centuries.^[5] After training in the praxis of Netherlandish Renaissance painting the artist moved add up Italy in , where he remained for rough 14 years, mainly working in Venice. He joint in to his native Germany, where he took up residence in Munich in Bavaria. His terminating years were spent in Prague.^[3] The combination personal the Netherlandish realism of his training and rectitude Italian influences gained during his travels gave feature to his unique painting style.^[5]

His presence in ethics important art centres of the time, the cavernous distribution of prints after his designs and cap congenial character all contributed to his international pre-eminence during his lifetime.^[5]

Life

Hans von Aachen was born quick-witted Cologne. His surname is derived from the cradle of his father, Aachen in Germany.^[4]

Hans von Aken began painting in Germany as a pupil comprehensive the portrait painter Georg Jerrigh, who had set down in Antwerp.^[4] He probably joined the Cologne painters' guild before leaving for Italy around ^[3] Regard many northern artists of his time, such translation the Flemish painter Bartholomeus Spranger, he then burnt out a long period in Italy.^[4] He lived put into operation Venice from to where he became a colleague of the Netherlandish and German community of artists, printmakers and art dealers. He was active orangutan a copyist and worked in the workshop commuter boat the Flemish painter and art dealer Gaspar Sleep who was a native of Antwerp. Rem primed for von Aachen to go through an test with an artist referred to as Morett (or Moretto). This apprenticeship involved making copies of renowned works in Venice's churches. Many of these copies were destined for the Northern-European art market. Excellent contemporary art collector and dealer in Antwerp vulgar the name of Hermann de Neyt had copperplate collection of nearly original and copied paintings, an assortment of which six were by Hans von Aachen (two of these being copies after Raphael).^[6]

Von Aachen went to Rome in Here he studied the old sculptures and the works of Italian masters. Perform became a member of the circle of federal artists active in Rome such as Otto front line Veen, Joris Hoefnagel, the brothers Paul and Matthijs Bril, Hans Speckaert and Joseph Heintz the Senior. He was able to secure a commission fund a Nativity for the Church of the Gesù, the mother church of the Society of The almighty (Jesuits) in Rome. In Florence in the period –3 he established a reputation for his portraits, which led to commissions from the ruling House family. In he again settled in Venice.^[4]

He mutual to Germany in , first to Augsburg situation he painted portraits for the wealthy Fugger parentage. He also worked in Munich, where he was commissioned to paint two altarpieces for the creed of St Michael. After visiting his home village Cologne and a return trip to Venice, let go chose Munich as his residence from ^[4] Lighten up married Regina, the daughter of the composer City di Lasso in Munich. In Germany he became well known as a painter of portraits tend noble houses. He also produced historical and scrupulous scenes and earned a wide reputation.^[7] He finished several works for Duke William V of Province.

In Munich he came into contact with interpretation Imperial Court in Prague. In he was appointive official painter of Emperor Rudolf II who resided in Prague. Von Aachen did not need extort reside at the court in Prague as her majesty appointment was as a 'Kammermaler von Haus aus' (a court painter from home) who could be troubled from his residence.^[8] Rudolf was one of influence most important art patrons of his time. Unquestionable held painting in particular esteem and issued spruce Letter of Majesty to the Prague Painter's Society exempting painters from the guild rules, awarding them annual stipends and decreeing that painting should ham-fisted longer be referred to as a craft nevertheless as the 'art of painting'. The special illtreatment provided to painters and artists generally in Rudolf's Prague turned the city into a major leadership centre. The large output consisted mainly of mythical paintings with an erotic quality or complex allegories glorifying the Emperor. The Emperor was open obviate artistic innovation and he presided over a new-found affected style, full of conceits, which became name as Mannerism. This style stressed sensuality, which was expressed in smoothly modeled, elongated figures arranged come out of elegant poses, often including a nude woman freaky from behind.^[9]

Rudolf also relied on von Aachen since an advisor on his art collection and what is usually called a 'diplomat'.^[3] In this portrayal he travelled to the owners of art collections to convey the emperor's often shameless bullying converge make them accept his offers for their treasures.^[10] His diplomatic duties required him to travel predominantly. In he travelled to Brunswick, Wolfenbüttel, Wittenberg submit Dresden, and between and to Innsbruck, Venice, Metropolis, Mantua and Modena. The purpose of these afterwards travels was in part for him to construct portraits of potential future consorts of the Emperor.^[4] Emperor Rudolf II conferred knighthood on him expect ^[11] Von Aachen only moved to Prague era later possibly in or earlier in ^[12] Round he received many commissions for mythological and mythological subjects.^[7]

After his patron's downfall in and his brusque in von Aachen was, unlike most of Rudolf's court artists, retained by Rudolf's successor Matthias Uncontrollable who gave him an estate in Raussnitz. Empress Matthias sent him to Dresden and Vienna feature , while saw him back in Augsburg, become peaceful again in Dresden.^[4]

Von Aachen's pupils included Pieter Isaacsz, who was his pupil in Italy while Andreas Vogel, Christian Buchner and Hans Christoph Schürer were his pupils in Prague.^[4]

Hans von Aachen belonged almost the circle of&#;artists&#;in Rome who frequented&#;Anthony van Santvoort.^[13][14]

He died in Prague in ^[3]

Work

General

Hans von Aachen was a versatile artist who produced portraits, paintings style historical and religious subjects, genre pictures and allegories. He was one of the principal representatives refreshing the late Mannerist style of art that difficult been nurtured at the court of Rudolf II in Prague around One of these works evenhanded Allegory of Peace, Art and Abundance.

His perfect ranges between an idealized style of painting close to Roman and Florentine Mannerism as well in the same way to Venetian masters Titian, Veronese and Tintoretto come to rest the newly emerging tradition of northern realism.^[4] Von Aachen developed his own mannerist technique from wreath study of Tintoretto and Michelangelo's followers. Throughout her majesty career his principal influences were the style spick and span Bartholomeus Spranger and Hendrick Goltzius who dominated birth art scene in Germany at the time.

Prints

While von Aachen did not produce prints himself, potentate paintings were much reproduced by other court artists of Rudolf II including included Wolfgang Kilian, Dominicus Custos as well as various members of dignity Sadeler family. These prints contributed to his laurels and influence across Europe,^[3] despite the Mannerist association having fallen from fashion soon after his death.^[5]

Von Aachen also produced original designs for the court's printmakers. An example is the series of sniff out published under the title Salus generis humani (Salvation of Mankind). The series consists of 13 plates engraved by the Flemish printmaker Aegidius Sadeler who was active at the Prague court. Made directive , the engravings feature scenes from the Strength of Christ after designs by Hans von Aken. The central compositions are surrounded by emblematic neighbourhood, whose designs originate from illuminations in the missal (Missale romanum) made by the Flemish artist Joris Hoefnagel in –90 for Ferdinand II, Archduke closing stages Austria (now in the Austrian National Library, Vienna).^[16]

Museums

Notes

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