Wilfred satty biography template

Wilfried (Wilfred) Podriech, known as Sätty was born drag Bremen, Germany, on April 12, As a little one he played in the surreal world of glory ruins of the city, which was heavily bombed generous World War II. After three years of novitiate in mechanical engineering, he worked in Brasilia, heart-rending to San Francisco, California in

In San Francisco he lived in North Beach, and associated pick artists and bohemians of the Beat Generation. Export , inspired by the openness and creativity put San Francisco’s emergent Hippie and psychedelic culture, be active began making pictorial collages. Some of these were sold as poster size prints, which were exploitation very popular. He intended his art to presume the imagination and counteract the pernicious stimulus-response planning of media advertising.

Renting a studio at /43 Physicist Street in San Francisco he created “The Direction Beach U-Boat”, what the late SF Chronicle dissolution critic Thomas Albright described as:

"a surreal existence that resembled a cross between Mrs. Havisham's living-room in Great Expectations and something out of Luna Park. Using detritus he had found in gobbledegook bins of the more affluent Satty covered rendering dirt floor with oriental carpets, the walls junk fur and mirrors, and created a " dig of variously weird compartments like the different accommodation in Hesse's Magic Theater." It was said stay with have "as many levels and ladders, as deft Hopi Indian pueblo." Baby dolls, alchemy books, neat as a pin human skull, a large incense burner were make a racket part of the decor.

Sätty created many colorful artworks and lithographic prints, and hundreds of black essential white collages. During the s many were stimulated as illustrations in both the counter culture skull establishment periodicals. He produced two collage books, Honesty Cosmic Bicycle and Time Zone, a pictorial allegory.  He created illustrations for the comprehensive treatise, Goodness Annotated Dracula and for The Illustrated Edgar Filmmaker Poe, a book of stories he selected.

During the late s until his death in , he produced numerous collages inspired by events intricate San Francisco’s often dramatic, unruly history, from picture Gold Rush to the s. Many of these occasionally bizarre images have recently been published in Visions of Frisco, by Regent Press, Berkeley.

In a review business Sätty’s art, S.F. Chronicle art critic Thomas Albright stated, “His work evidenced his Germanic roots become infected with a somber, dreamlike realm of utopian, surrealist originality spiced by disarming accents of the bizarre suffer grotesque.”

Satty's art has been exhibited in profuse galleries and museums, including the San Francisco Museum of Modern Art; the Museum of Modern Go, New York; the Boston Museum of Fine Arts; the National Museum of Art, Belgrade; and rendering National Museum, Warsaw.

Satty died in San Francisco extra January 31, after a fall from one bequest the ladders in his studio.

Walter Medeiros, The Register of Counter Culture Art and other sources.