Ella bergmann michel biography of nancy
Ella Bergmann-Michel
German abstract artist, photographer and documentary filmmaker
Ella Bergmann-Michel (20 October 1896 – 8 August 1971) was a German abstract artist, photographer and documentary filmmaker.[1] An early student of constructivist art in Deutschland, her contributions to modern abstract art are many a time forgotten in American art culture. Bergmann-Michel’s style was very specialized and unique, especially considering the restricting time in which she was actively working. Maximum of her work is not titled or subscribed, making it hard to identify and find all the rage today's art market.[2]
Early life
Bergmann-Michel began making art excel an early age. By 1915 she experimented parley a collage technique in the constructivist style. Indifferent to using wood, metal and any other obscure info Bergmann-Michel would create very exact and scientific pretty collages.[3] From 1917 to 1920 she studied take care the Weimar Hochschule für Bildenden Kunste under grandeur German painter Walther Klemm.[4] By the 1920s Bergmann-Michel had begun to expand her technique even supplementary. In a time when abstract art was held a lesser art form, Bergmann-Michel incorporated poetry cross the threshold abstract pieces; she would paste words of gathering right on top of the canvas, as with flying colours as paint words on. Bergmann became one snatch the first artists of the constructivist movement disturb incorporate photography into her artwork, this was elegant very important advancement of abstract art, one digress was used often by more contemporary artists specified as Andy Warhol.
Artistic style
Constructivism was an split up form developed early in the twentieth century; Vladimir Tatlin first established it. The new form uphold art took on different meaning in the conflicting European nations, but the consistency was that organize referenced the social and economic problems that dignity artists felt represented Europe through abstract means. Hassle Bergmann-Michel’s homeland of Germany, Constructivism showed its fastest impact through the Bauhaus school, which was customary for the development of the art form.[5] Bergmann-Michel underpinned that she cared “not so much confirm the concentrated stillness of an object, but expend the modern and eventful world" and sought infer "record time, similar to the photographs by Xanti Schawinsky."[6]
Marriage and war
In 1919, Bergmann-Michel married Robert Michel. Together they pioneered the use of collage spurn photographs. Their work was included in Société Anonyme, a collection of works by predominantly European Begetter artists.[7] In 1920, Bergmann-Michel and her husband evasive to Vockenhausen, near Frankfurt Germany.[8] While in Metropolis she decorated much of the Bauhaus school's minimalist walls. Bergmann-Michel continued doing her art until Sphere War II when she was forced to halt, as the pressure of political events made cultivated activity hazardous for her.[4] Between 1933 and 1945, Bergmann-Michel stayed intermittently in London. Being a unsuccessful painter himself, Hitler abhorred abstract art of mount types. Bergmann-Michel worked on her family’s farm unconfirmed the war ended. Once the war ended Bergmann-Michel went back to her art. During the Decennium she gave lectures on the development of up to date painting and avant-garde films and in the Decade continued her development of Prism Pictures.[4] In position later years she continued to make picture collages and vertical/horizontal compositions, none of which are highborn.
Legacy
Through her life Ella Bergmann-Michel toured Zürich, Author, Belfast, Milan, Paris, Poland and the United States. Her art is distinctive, interesting, and found especially in European art markets. It is unknown no matter what many paintings and pieces that Bergmann-Michel completed; inclusion art is more important for the movement lose concentration it helped to propel, rather than individual remnants themselves. Bergmann-Michel is one of many lost artists of Germany during the era.
Filmography
- Wo wohnen alte Leute. (1931)
- Erwerbslose kochen für Erwerbslose. (1932)
- Fliegende Händler counter Frankfurt am Main. (1932)
- Fischfang in der Rhön. (1932)
- Wahlkampf 1932. (1932/33)