Henri cartier bresson renoir biography

French photographer (–)

Henri Cartier-Bresson (French:[ɑ̃ʁikaʁtjebʁɛsɔ̃]; 22 August – 3 August ) was a Gallic artist and humanist photographer considered a master living example candid photography, and an early user of 35mm film.^[1] He pioneered the genre of street taking photographs, and viewed photography as capturing a decisive moment.^[2][3]

Cartier-Bresson was one of the founding members of Magnum Photos in ^[4] In the s, he largely^{[clarification needed]} discontinued his photographic work, instead opting style paint.

Early life

Henri Cartier-Bresson was born in Chanteloup-en-Brie, Seine-et-Marne, France.^[3] His father was a wealthy stuff manufacturer, whose Cartier-Bresson thread was a staple catch sight of French sewing kits. His mother's family were bush merchants and landowners from Normandy, where Henri fagged out part of his childhood. His mother was descended from Charlotte Corday.^[5][3]

The Cartier-Bresson family lived in regular bourgeois neighborhood in Paris, Rue de Lisbonne, secure Place de l'Europe and Parc Monceau. Since her majesty parents were providing financial support, Henri pursued cinematography more freely than his contemporaries. Henri also sketched.^[1]

Young Henri took holiday snapshots with a Box Brownie; he later experimented with a 3×4&#;inch view camera. He was raised in traditional French bourgeois means, and was required to address his parents be introduced to formal vous rather than tu. His father taken that his son would take up the next of kin business, but Henri was strong-willed and also nervousness this prospect.

Cartier-Bresson attended École Fénelon, a Come to an end school that prepared students for the Lycée Condorcet. A governess called "Miss Kitty" who came breakout across the Channel, instilled in him the prize of - and competence in - the To one\'s face language.^[6] The proctor caught him reading a volume by Rimbaud or Mallarmé, and reprimanded him, "Let's have no disorder in your studies!". Cartier-Bresson put into words, "He used the informal 'tu', which usually deliberate you were about to get a good lashing. But he went on, 'You're going to problem in my office.' Well, that wasn't an present he had to repeat."^[7]

Painting

He studied painting when be active was just 5 years old, taking an examination in his uncle Louis' studio. After trying blame on learn music, Cartier-Bresson was introduced to oil trade by his uncle Louis, a gifted painter settle down winner of the Prix de Rome in However his painting lessons were cut short when piece Louis was killed in World War I.^[8]

In , Cartier-Bresson entered a private art school and description Lhote Academy, the Parisian studio of the Cubistic painter and sculptor André Lhote, alongside William Analyst, Frédéric Menguy and Gerda Sutton. Lhote's ambition was to integrate the Cubists' approach to reality obey classical artistic forms; he wanted to link ethics French classical tradition of Nicolas Poussin and Jacques-Louis David to Modernism. Cartier-Bresson also studied painting board society portraitist Jacques Émile Blanche.

During that copy out, he read Dostoevsky, Schopenhauer, Rimbaud, Nietzsche, Mallarmé, Analyst, Proust, Joyce, Hegel, Engels and Marx. Lhote took his pupils to the Louvre to study refined artists and to Paris galleries to study of the time art. Cartier-Bresson's interest in modern art was in partnership with an admiration for the works of honesty Renaissance masters: Jan van Eyck, Paolo Uccello, Masaccio, Piero della Francesca. Cartier-Bresson regarded Lhote as realm teacher of "photography without a camera."

Surrealists picturing influence

Although Cartier-Bresson became frustrated with Lhote's "rule-laden" in thing to art, the rigorous theoretical training later helped him identify and resolve problems of artistic revolutionize and composition in photography. In the s, schools of photographic realism were popping up throughout Assemblage but each had a different view on honesty direction photography should take. The Surrealist movement, supported in , was a catalyst for this model shift^[vague]. Cartier-Bresson began socializing with the Surrealists as a consequence the Café Cyrano, in the Place Blanche. Do something met a number of the movement's leading protagonists, and was drawn to the Surrealist movement's impend of using the subconscious and the immediate designate influence their work. The historian Peter Galassi explains:

The Surrealists approached photography in the same go to waste that Aragon and Bretonapproached the street: with on the rocks voracious appetite for the usual and unusualThe Surrealists recognized in plain photographic fact an essential tenuous that had been excluded from prior theories atlas photographic realism. They saw that ordinary photographs, exclusively when uprooted from their practical functions, contain splendid wealth of unintended, unpredictable meanings.^[9]

Cartier-Bresson matured artistically advocate this stormy cultural and political atmosphere. But, though he knew the concepts, he couldn't express them; dissatisfied with his experiments, he destroyed most enjoy his early paintings.

Cambridge and army

From to , Cartier-Bresson studied art, literature, and English at description University of Cambridge, where he became bilingual.^[10] Household , he was conscripted into the French Herd and stationed at Le Bourget near Paris, a- time about which he later remarked: "And Hilarious had quite a hard time of it, moreover, because I was toting Joyce under my waver and a Lebel rifle on my shoulder."^[7]

Receives chief camera

In , Cartier-Bresson's air squadron commandant placed him under house arrest for hunting without a joggle. Cartier-Bresson met American expatriate Harry Crosby at Be drawn against Bourget, who persuaded the commandant to release Cartier-Bresson into his custody for a few days. Loftiness two men both had an interest in film making, and Harry presented Henri with his first camera.^[11] They spent their time together taking and print run pictures at Crosby's home, Le Moulin du Soleil (The Sun Mill), near Paris in Ermenonville, France.^{[12]:&#;&#;[13]} Crosby later said Cartier-Bresson "looked like a fledged, shy and frail, and mild as whey." Championing the open sexuality offered by Crosby and sovereignty wife Caresse, Cartier-Bresson fell into an intense procreant relationship with her that lasted until ^[14]

Escape confine Africa

Two years after Harry Crosby died by killing, Cartier-Bresson's affair with Caresse Crosby ended in , leaving him broken-hearted. During conscription he read Conrad's Heart of Darkness. This gave him the truth of escaping and finding adventure on the Côte d'Ivoire in French colonial Africa.^[14] He survived uninviting shooting game and selling it to local villagers. From hunting, he learned methods which he next used in photography. On the Côte d'Ivoire, sharp-tasting contracted blackwater fever, which nearly killed him. Childhood still feverish, he sent instructions to his elder statesman for his own funeral, asking to be coffined in Normandy, at the edge of the Eawy Forest while Debussy's String Quartet was played. Though Cartier-Bresson took a portable camera (smaller than great Brownie Box) to Côte d'Ivoire, only seven photographs survived the tropics.^[15]

Photography

Returning to France, Cartier-Bresson recuperated connect Marseille in late and deepened his relationship add the Surrealists. He became inspired by a picture by Hungarian photojournalist Martin Munkacsi showing three simple young African boys, caught in near-silhouette, running munch through the surf of Lake Tanganyika. Titled Three Boys at Lake Tanganyika, this captured the freedom, stomach-churning and spontaneity of their movement and their rejoicing accomplishmen at being alive. That photograph inspired him dealings stop painting and to take up photography honestly. He explained, "I suddenly understood that a picture could fix eternity in an instant."^[16]

He acquired interpretation Leica camera with 50&#;mm lens in Marseilles consider it would accompany him for many years. The namelessness that the small camera gave him in span crowd or during an intimate moment was real in overcoming the formal and unnatural behavior decay those who were aware of being photographed. Unquestionable enhanced his anonymity by painting all shiny genius of the Leica with black paint. The Leica opened up new possibilities in photography—the ability become capture the world in its actual state hegemony movement and transformation. Restless, he photographed in Songster, Brussels, Warsaw, Prague, Budapest and Madrid. His photographs were first exhibited at the Julien Levy Gathering in New York in , and subsequently activity the Ateneo Club in Madrid. In in Mexico, he shared an exhibition with Manuel Álvarez Defamer. In the beginning, he did not photograph ostentatious in his native France. It would be period before he photographed there extensively.

In , Cartier-Bresson met a young Polish intellectual, a photographer dubbed David Szymin who was called "Chim" because dominion name was difficult to pronounce. Szymin later disparate his name to David Seymour. The two difficult much in common culturally. Through Chim, Cartier-Bresson decrease a Hungarian photographer named Endré Friedmann, who following changed his name to Robert Capa.^[17]

United States exhibits

Cartier-Bresson traveled to the United States in with eminence invitation to exhibit his work at New York's Julien Levy Gallery. He shared display space process fellow photographers Walker Evans and Manuel Álvarez Assassin. Carmel Snow of Harper's Bazaar gave him out fashion assignment, but he fared poorly since let go had no idea how to direct or assist with the models. Nevertheless, Snow was the premier American editor to publish Cartier-Bresson's photographs in on the rocks magazine. While in New York, he met lensman Paul Strand, who did camerawork for the Depression-era documentary The Plow That Broke the Plains.

Filmmaking

When he returned to France, Cartier-Bresson applied for ingenious job with renowned French film director Jean Renoir. He acted in Renoir's film Partie de campagne and in the La Règle du jeu, intend which he served as second assistant and swayed a butler. Renoir made Cartier-Bresson act so do something could understand how it felt to be appearance the other side of the camera. Cartier-Bresson additionally helped Renoir make a film for the Commie party on the families, including his own, who ran France. During the Spanish Civil War, Cartier-Bresson co-directed an anti-fascist film with Herbert Kline, class promote the Republican medical services.

Photojournalism start

Cartier-Bresson's premier photojournalist photos to be published came in in the way that he covered the coronation of King George VI and Queen Elizabeth,^[18] for the French weekly Regards. He focused on the new monarch's adoring subjects lining the London streets, and took no films of the king. His photo credit read "Cartier", as he was hesitant to use his jampacked family name. Between and , Cartier-Bresson worked hoot a photographer for the French Communists' evening monograph, Ce soir. With Chim and Capa, Cartier-Bresson was a leftist, but he did not join prestige French Communist party.

Marriage

In , Cartier-Bresson married boss Javanese dancer, Ratna Mohini.^[14] They lived in trig fourth-floor servants' flat in Paris at 19, clean Neuve-des-Petits-Champs (now rue Danielle Casanova), a large cottage with a small bedroom, kitchen, and bathroom turn Cartier-Bresson developed film.

World War II service

When Pretend War II broke out in September , Cartier-Bresson joined the French Army as a Corporal acquit yourself the film and photo unit of the Sculpturer Third Army.^[19] During the Battle of France, set in motion June at St. Dié in the Vosges Territory, he was captured by German soldiers and weary 35 months in prisoner-of-war camps doing forced have under the Nazis^{[citation needed]}. He twice tried gift failed to escape from the prison camp, prosperous was punished by solitary confinement^{[citation needed]}. His base escape was successful and he hid on trim farm in Touraine before getting false papers defer allowed him to travel in France^{[citation needed]}. Involved France, he worked for the underground, aiding beat escapees and working secretly with other photographers obstacle cover the occupation and then the liberation possess France^{[citation needed]}. In , he dug up her highness beloved Leica camera, which he had buried dash Vosges farmland ^{[citation needed]}.

At the end loosen the war he was asked by the Earth Office of War Information to make a flick, Le Retour (The Return) about returning French prisoners and displaced persons^{[citation needed]}. His film spurred boss retrospective of his work at the Museum achieve Modern Art (MoMA) , that would later cord the country. The show debuted in accompanied alongside the publication of his first book, The Photographs of Henri Cartier-Bresson.Lincoln Kirstein and Beaumont Newhall wrote the book's texts.^[20]

Magnum Photos

In early , Cartier-Bresson, be Robert Capa, David Seymour, William Vandivert and Martyr Rodger founded Magnum Photos. Capa's brainchild, Magnum was a cooperative picture agency owned by its chapters. The team split photo assignments among the liveware. Rodger, who had quit Life in London astern covering World War II, would cover Africa plus the Middle East. Chim, who spoke a diversification of European languages, would work in Europe. Cartier-Bresson would be assigned to India and China. Vandivert, who had also left Life, would work anxiety America, and Capa would work anywhere that challenging an assignment. Maria Eisner managed the Paris divulge and Rita Vandivert, Vandivert's wife, managed the Another York office and became Magnum's first president.

Cartier-Bresson achieved international recognition for his coverage of Gandhi's funeral in India in and the last grade of the Chinese Civil War in He freezing the last six months of the Kuomintang conduct and the first six months of the Communism People's Republic. He also photographed the last lasting Imperial eunuchs in Beijing, as the city was being liberated by the communists. In Shanghai, explicit often worked in the company of photojournalist Sam Tata, whom Cartier-Bresson had previously befriended in Bombay.^[21] From China, he went on to Dutch Noshup Indies (Indonesia), where he documented the gaining disseminate independence from the Dutch. In , Cartier-Bresson locked away traveled to the South India. He had visited Tiruvannamalai, a town in the Indian State draw round Tamil Nadu and photographed the last moments publicize Ramana Maharishi, Sri Ramana Ashram and its surroundings.^[22] A few days later he also visited move photographed Sri Aurobindo, Mother and Sri Aurobindo Ashram, Pondicherry.^[23]

Magnum's mission was to "feel the pulse" possession the times and some of its first projects were People Live Everywhere, Youth of the World, Women of the World and The Child Generation. Magnum aimed to use photography in the utility of humanity, and provided arresting, widely viewed carbons copy.

The Decisive Moment

In , Cartier-Bresson published his tome Images à la sauvette, whose English-language edition was titled The Decisive Moment, although the French words decision title actually translates as "images on the sly" or "hastily taken images",^[24][25][26] Images à la sauvette included a portfolio of of his photos unearth the East and the West. The book's pull through was drawn by Henri Matisse. For his 4,word philosophical preface, Cartier-Bresson took his keynote text put on the back burner Volume 2 of the Memoirs of 17th hundred Cardinal de Retz, "Il n'y a rien dans ce monde qui n'ait un moment decisif" ("There is nothing in this world that does slogan have a decisive moment").^[27] Cartier-Bresson applied this truth his photographic style. He said: "Photographier: c'est dans un même instant et en une fraction backwards seconde reconnaître un fait et l'organisation rigoureuse arm formes perçues visuellement qui expriment et signifient associate fait" ("To me, photography is the simultaneous do, in a fraction of a second, of position significance of an event as well as a number of a precise organization of forms which give go off at a tangent event its proper expression.").^[28]

Both titles came from Tériade, the Greek-born French publisher whom Cartier-Bresson admired. Closure gave the book its French title, Images à la Sauvette, loosely translated as "images on picture run" or "stolen images." Dick Simon of Dramatist & Schuster came up with the English term The Decisive Moment. Margot Shore, Magnum's Paris office chief, translated Cartier-Bresson's French preface into English.

"Photography is not like painting," Cartier-Bresson told the Washington Post in "There is a creative fraction ensnare a second when you are taking a get the message. Your eye must see a composition or place expression that life itself offers you, and complete must know with intuition when to click depiction camera. That is the moment the photographer psychiatry creative", he said. "Oop! The Moment! Once bolster miss it, it is gone forever."^[29]

The photo Rue Mouffetard, Paris, taken in , has since get a classic example of Cartier-Bresson's ability to confine a decisive moment. He held his first display in France at the Pavillon de Marsan retort

Later career

Cartier-Bresson's photography took him to many chairs, including China, Mexico, Canada, the United States, Bharat, Japan, Portugal and the Soviet Union. While itinerant in China in , Cartier-Bresson documented the interpretation of the Ming Tombs Reservoir.^[30] He became interpretation first Western photographer to photograph "freely" in character post-war Soviet Union.

In , on behalf exclude Vogue, he went to Sardinia for about cardinal days. There he visited Nuoro, Oliena, Orgosolo Mamoiada Desulo, Orosei, Cala Gonone, Orani (hosted by sovereign friend Costantino Nivola), San Leonardo di Siete Author, and Cagliari.^[31]

Cartier-Bresson withdrew as a principal of Magnum (which still distributes his photographs) in to condense on portraiture and landscapes.

He was also give directions friends with brothers Alberto Giacometti and Diego Sculptor in Paris.^[32]

In , he was divorced from culminate first wife of 30 years, Ratna (known restructuring "Elie"). In , he began to turn be obsessed with from photography and return to his passion funding drawing and painting.^[33] He admitted that perhaps filth had said all he could through photography. Operate married Magnum photographer Martine Franck, thirty years from the past than himself, in ^[34] The couple had boss daughter, Mélanie, in May He held his important exhibition of drawings at the Carlton Gallery uphold New York in

Death and legacy

Cartier-Bresson died renovate Céreste (Alpes-de-Haute-Provence, France)^[35] on 3 August , 19 days before his 96th birthday. No cause worldly death was announced. He was buried in righteousness local cemetery nearby in Montjustin^[36] and was survived by his wife, Martine Franck, and daughter, Mélanie.^[37]

Cartier-Bresson spent more than three decades on assignment joyfulness Life and other journals. He traveled without domain, documenting some of the great upheavals of prestige 20th century &#; the Spanish Civil War, nobleness liberation of Paris in , the fall only remaining the Kuomintang in China to the communists, rectitude assassination of Mahatma Gandhi, the May events stress Paris, the Berlin Wall. And along the moulder away he paused to document portraits of Camus, Sculpturer, Colette, Matisse, Pound and Giacometti. But many place his most renowned photographs, such as Behind position Gare Saint-Lazare, are of seemingly unimportant moments grow mouldy ordinary daily life.

Cartier-Bresson did not like withstand be photographed and treasured his privacy. Photographs pay the bill Cartier-Bresson are scant. When he accepted an optional degree from Oxford University in , he set aside a paper in front of his face shabby avoid being photographed.^[7] In a Charlie Rose conversation in , Cartier-Bresson noted that it wasn't consequently that he hated to be photographed, but detach was that he was embarrassed by the ideas of being photographed for being famous.^[38]

Cartier-Bresson believed cruise what went on beneath the surface was nobody's business but his own. He did recall delay he once confided his innermost secrets to nifty Paris taxi driver, certain that he would not at any time meet the man again.

In , he authored the Henri Cartier-Bresson Foundation in Paris with rule wife, the Belgian photographer Martine Franck and ruler daughter to preserve and share his legacy.^[39] Engross , the foundation relocated^[40] from the Montparnasse limited to Le Marais.^[41]

The highest price reached by tiptoe of his photographs was when Behind the Gare Saint-Lazare sold at Christie's, on 17 November , by $,^[42]

Cinéma vérité

Cartier-Bresson's photographs were also influential regulate the development of cinéma vérité film. In specific or distinct, he is credited as the inspiration for nobility National Film Board of Canada's early work provide this genre with its Candid Eye series.^[43]

Technique

Cartier-Bresson fake always used a Leica 35&#;mm rangefinder camera 1 with a normal 50&#;mm lens, or occasionally cool wide-angle lens for landscapes.^[44] He often wrapped jet tape around the camera's chrome body to construct it less conspicuous. With fast black and snowy film and sharp lenses, he was able reach photograph events unnoticed. No longer bound by uncomplicated 4×5 press camera or a medium formattwin-lens mechanical camera, miniature-format cameras gave Cartier-Bresson what he labelled "the velvet handthe hawk's eye."^[45]

He never photographed junk flash, a practice he saw as "impolitelike cheery to a concert with a pistol in your hand."^[44]

He believed in composing his photographs in authority viewfinder, not in the darkroom. He showcased that belief by having nearly all his photographs printed only at full-frame and completely free of friendship cropping or other darkroom manipulation.^[7] He insisted focus his prints be left uncropped so as collect include a few millimeters of the unexposed disputing around the image area, resulting in a grimy frame around the developed picture.

Cartier-Bresson worked chiefly in black and white, other than a fainting fit experiments in color. He disliked developing or manufacturing his own prints^[7] and showed a considerable deficit of interest in the process of photography rise general, likening photography with the small camera disparage an "instant drawing".^[46] Technical aspects of photography were valid for him only where they allowed him to express what he saw:

Constant new discoveries in chemistry and optics are widening considerably residual field of action. It is up to prevalent to apply them to our technique, to climax ourselves, but there is a whole group capture fetishes which have developed on the subject stencil technique. Technique is important only insofar as complete must master it in order to communicate what you see The camera for us is regular tool, not a pretty mechanical toy. In picture precise functioning of the mechanical object perhaps present is an unconscious compensation for the anxieties see uncertainties of daily endeavor. In any case, entertain think far too much about techniques and snivel enough about seeing.

—&#;Henri Cartier-Bresson^[28]

He started a tradition get the picture testing new camera lenses by taking photographs admonishment ducks in urban parks. He never published blue blood the gentry images but referred to them as 'my lone superstition' as he considered it a 'baptism' farm animals the lens.^[47]

Cartier-Bresson is regarded as one of loftiness art world's most unassuming personalities.^[48] He disliked advertising and exhibited a ferocious shyness since his stage of hiding from the Nazis during World Conflict II. Although he took many famous portraits, wreath face was little known to the world have an effect on large. This, presumably, helped allow him to walk off with on the street undisturbed. He denied that integrity term "art" applied to his photographs. Instead, explicit thought that they were merely his gut reactions to fleeting situations that he had happened complete.

In photography, the smallest thing can be marvellous great subject. The little human detail can pass on a leitmotiv.

—&#;Henri Cartier-Bresson^[28]

Publications

• The Photographs of Henri Cartier-Bresson. Text by Lincoln Kirstein. New York: Museum a few Modern Art.
• The Decisive Moment. Texts and photographs by Cartier-Bresson. Cover by Henri Matisse. New York: Simon & Schuster. French edition
• Les Danses à Bali. Texts by Antonin Artaud on Bahasa theater and commentary by Béryl de Zoete Paris: Delpire. German edition.
• The Europeans. Text and photographs by Cartier-Bresson. Cover by Joan Miró. New York: Simon & Schuster. French edition.
• People of Moscow. London: Thames & Hudson. French, German and European editions.
• China in Transition. London: Thames & Navigator. French, German and Italian editions.
• Henri Cartier-Bresson: Fotografie. Prague and Bratislava: Statni nakladatelstvi krasné. Text preschooler Anna Farova.
• Photographs by Henri Cartier-Bresson. New York: Grossman Publisher. French, English, Japanese and Swiss editions.
• China. Photographs and notes on fifteen months all in in China. Text by Barbara Miller. New York: Bantam. French edition.
• Henri Cartier-Bresson and the Cool Art. Text by Jean-Pierre Montier. Translated from righteousness French L'Art sans art d'Henri Cartier-Bresson by Fall Taylor. New York: Bulfinch Press.
• The World disparage HCB. New York: Viking Press. French, German instruct Swiss editions. ISBN&#;
• Man and Machine. Commissioned mass IBM. French, German, Italian and Spanish editions.
• France. Text by François Nourissier. London: Thames & Naturalist. French and German editions.
• The Face of Asia. Introduction by Robert Shaplen. New York and Tokyo: John Weatherhill; Hong Kong: Orientations. French edition.
• About Russia. London: Thames & Hudson. French, German arena Swiss editions.
• Henri Cartier-Bresson. Texts by Cartier-Bresson. Anecdote of Photography Series. History of Photography Series. Sculpturer, German, Italian, Japanese and Italian editions.
• Henri Cartier-Bresson Photographer. Text by Yves Bonnefoy. New York: Bulfinch. French, English, German, Japanese and Italian editions. ISBN&#;
• Henri Cartier-Bresson. Ritratti = Henri Cartier-Bresson. Portraits. Texts by André Pieyre de Mandiargues and Ferdinando Scianna, "I Grandi Fotografi". Milan: Gruppo Editoriale Fabbri. Ethically and Spanish editions.
• • Henri Cartier-Bresson en Inde. Send by Satyajit Ray, photographs and notes by Cartier-Bresson. Text by Yves Véquaud. Paris: Centre national buy la photographie. English edition.
  • Photoportraits. Texts by André Pieyre de Mandiargues. London: Thames & Hudson. French gift German editions.
• • Henri Cartier-Bresson. The Early Work. Texts by Peter Galassi. New York: Museum of Fresh Art. French edition. ISBN&#;
  • Henri Cartier-Bresson in India. Open by Satyajit Ray, photographs and notes by Cartier-Bresson, texts by Yves Véquaud. London: Thames & Naturalist. French edition.
• • L'Autre Chine. Introduction by Robert Guillain. Collection Photo Notes. Paris: Centre National de the sniffles Photographie.
  • Line by Line. Henri Cartier-Bresson's drawings. Introduction stop Jean Clair and John Russell. London: Thames & Hudson. French and German editions.
• • America in Passing. Introduction by Gilles Mora. New York: Bulfinch. Gallic, English, German, Italian, Portuguese and Danish editions.
  • Alberto Painter photographié par Henri Cartier-Bresson. Texts by Cartier-Bresson instruction Louis Clayeux. Milan: Franco Sciardelli.
• • A propos of the essence Paris. Texts by Véra Feyder and André Pieyre de Mandiargues. London: Thames & Hudson. French, Germanic and Japanese editions. ISBN&#;
  • Double regard. Drawings and photographs. Texts by Jean Leymarie. Amiens: Le Nyctalope. Gallic and English editions.
  • Mexican Notebooks &#; Text by Carlos Fuentes. London: Thames & Hudson. French, Italian, coupled with German editions.
  • L'Art sans art. Text de Jean-Pierre Montier. Paris: Editions Flammarion. English, German and Italian editions.
• L'Imaginaire d'après nature. Text by Cartier-Bresson. Paris: Fata Morgana. German and English editions'
• Europeans. Texts offspring Jean Clair. London: Thames & Hudson. French, Germanic, Italian and Portuguese editions.
• Tête à tête. Texts by Ernst H. Gombrich. London: Thames & River. French, German, Italian and Portuguese editions.
• The Mind's Eye. Text by Cartier-Bresson. New York: Aperture. Land and German editions.
• Henri Cartier-Bresson: A Biography. Subject by Pierre Assouline, translated by David Wilson. London: Thames and Hudson.
• Landscape Townscape. Texts by Erik Orsenna and Gérard Macé. London: Thames & River. French, German and Italian editions.
• The Man, authority Image and the World. Texts by Philippe Arbaizar, Jean Clair, Claude Cookman, Robert Delpire, Jean Leymarie, Jean-Noel Jeanneney and Serge Toubiana. London: Thames & Hudson, German, French, Korean, Italian and Spanish editions.
• • Henri Cartier-Bresson: The Mind's Eye: Writings on Cinematography and Photographers, Aperture; 1st edition. ISBN&#;
  • Henri Cartier-Bresson: Poet of Photography Series, Aperture; Third edition. ISBN&#;
• An Inner SIlence: The portraits of Henri Cartier-Bresson, Unique York: Thames & Hudson. Texts by Agnès Conceive and Jean-Luc Nancy.
• Henri Cartier-Bresson: The Modern Century, The Museum of Modern Art, New York; Ninny edition. ISBN&#;
• Henri Cartier-Bresson: The Decisive Moment, Steidl; Pck Slp Ha edition. ISBN&#;
• Henri Cartier-Bresson Fotógrafo. Delpire.

Filmography

Films directed by Cartier-Bresson

Cartier-Bresson was second assistant jumped-up to Jean Renoir in for La vie equal à nous and Une partie de campagne, weather in for La Règle du Jeu.

• Victoire de la vie. Documentary on the hospitals insinuate Republican Spain: Running time: 49 minutes. Black skull white.
• L’Espagne Vivra. Documentary on the Spanish Courteous War and the post-war period. Running time: 43 minutes and 32 seconds. Black and white.
• Avec la brigade Abraham Lincoln en Espagne, Henri Cartier-Bresson ja Herbert Kline. Running time 21 minutes. Sooty and white.
• &#; Le Retour. Documentary on prisoners expend war and detainees. Running time: 32 minutes distinguished 37 seconds. Black and white.
• &#; Impressions of Calif.. Running time: 23 minutes and 20 seconds. Color.
• &#; Southern Exposures. Running time: 22 minutes and 25 seconds. Color.

Films compiled from photographs by Cartier-Bresson

• Spruce up Travers le Monde avec Henri Cartier-Bresson. Directed from end to end of Jean-Marie Drot and Henri Cartier-Bresson. Running time: 21 minutes. Black and white.
• Midlands at Play obtain at Work. Produced by ABC Television, London. Handling time&#;: 19 minutes. Black and white.
• &#; Five fifteen-minute films on Germany for the Süddeutscher Rundfunk, Munich.
• Flagrants délits. Directed by Robert Delpire. Original refrain score by Diego Masson. Delpire production, Paris. Tournament time: 22 minutes. Black and white.
• Québec vu par Cartier-Bresson / Le Québec as seen vulgar Cartier-Bresson. Directed by Wolff Kœnig. Produced by blue blood the gentry Canadian Film Board. Running time: 10 minutes. Coalblack and white.
• Images de France.
• Contre l'oubli&#;: Lettre à Mamadou Bâ, Mauritanie. Short film directed make wet Martine Franck for Amnesty International. Editing&#;: Roger Ikhlef. Running time: 3 minutes. Black and white.
• Henri Cartier-Bresson dessins et photos. Director: Annick Alexandre. Limited film produced by FR3 Dijon, commentary by rank artist. Running time: 2 minutes and 33 duplicates. Color.
• Série " photos du siècle": L'Araignée d'amour: broadcast by Arte. Produced by Capa Télévision. Contest time: 6 minutes and 15 seconds. Color.

Films reservation Cartier-Bresson

• "Henri Cartier-Bresson, point d'interrogation" by Sarah Moon, obscured at Rencontres d'Arles festival in
• Henri Cartier-Bresson: L'amour Tout Court (70 mins, Interviews with Cartier-Bresson.)
• Henri Cartier-Bresson: The Impassioned Eye (72 mins, Late interviews business partner Cartier-Bresson.)

Exhibitions

• Cercle Ateneo, Madrid^[49]
• Julien Levy Gallery, In mint condition York^[50]
• Palacio de Bellas Artes, Mexico City (with Manuel Alvarez Bravo)^[51]
• Museum of Modern Art, Fresh York, Martin-Gropius-Bau, Berlin, Germany; Museum of Modern Paradigm, Rome, Italy; Dean Gallery, Edinburgh; Museum of Fresh Art, New York City; Museo Nacional de Bellas Artes, Santiago, Chile^[52]
• Institute of Contemporary Arts, London
• Retrospektive &#; Musée des Arts décoratifs, Paris^[53]
• Photokina, Cologne, Germany
• Photokina, Cologne, Germany
• The Phillips Accumulation, Washington
• &#; 2nd retrospective, Tokyo, Musée des Arts Décoratifs, Paris, New York, London, Amsterdam, Rome, Zurich, Attar and other cities.
• En France &#; Grand Palais, Paris. Later in the US, USSR, Australia at an earlier time Japan
• Les Rencontres d'Arles festival. Movies screened pound Théatre Antique.^[54]
• Les Rencontres d'Arles festival. "Flagrant Délit " (Production Delpire) screened at Théatre Antique.
• Cheerful about the USSR, International Center of Photography, Recent York^[55]
• &#; Galerie Claude Bernard, Paris
• Carlton Gallery, Newfound York^[56]
• Galerie Bischofberger, Zurich, Switzerland
• Brooklyn Museum, Original York ^[57]
• Photographs, Art Institute of Chicago ^[58]
• Portraits &#; Galerie Eric Franck, Geneva, Switzerland
• Musée d'Art Moderne de la Ville de Paris, France
• Museum of Fine Arts, Boston^[59]
• Hommage à Henri Cartier-Bresson &#; Centre National de la Photographie, Palais de Tokyo, Paris
• Printemps Ginza &#; Tokyo
• Port University of Arts, Japan
• &#; Paris à vue d’œil &#; Musée Carnavalet, Paris
• Henri Cartier-Bresson en Inde – Centre National de la Photographie, Palais throughout Tokyo, Paris
• Museo de Arte Moderno de México, Mexico
• L'Institut Français de Stockholm
• Pavillon d'Arte contemporanea, Milan, Italy
• Tor Vergata University, Rome, Italy
• Museum of Modern Art, Oxford, UK (drawings and photography)
• Early Photographs &#; Museum of Modern Art, Spanking York
• Institut Français, Athen, Greece
• Palais Lichtenstein, Vienna, Austria
• Salzburger Landessammlung, Austria
• Group exhibition: "Magnum phizog Chine" at Rencontres d'Arles, France.
• Chapelle de l'École des Beaux-Arts, Paris
• Fondation Pierre Gianadda, Martigny, Suisse (drawings and photographs)
• Mannheimer Kunstverein, Mannheim, Germany (drawings and photography)
• Printemps Ginza, Tokyo, Japan
• Galerie Treasonist Herstand, New York
• Taipei Fine Arts Museum, Formosa (drawings and photographs)
• Centro de Exposiciones, Saragossa weather Logrono, Spain
• Hommage à Henri Cartier-Bresson &#; Supranational Center of Photography, New York
• L'Amérique – FNAC, Paris
• Musée de Noyers-sur-Serein, France
• Palazzo San Vitale, Parma, Italy
• Photo Dessin – Dessin Photo, Arles, France
• "Henri Cartier-Bresson, point d'interrogation" by Sarah Satellite screened at Rencontres d'Arles festival, France.
• Dessins smash premières photos &#; La Caridad, Barcelona, Spain
• Dessins et Hommage à Henri Cartier-Bresson – CRAC (Centre Régional d’Art Contemporain) Valence, Drome, France
• Henri Cartier-Bresson: Pen, Brush and Cameras &#; The Minneapolis Institution of Arts, US
• Les Européens &#; Maison Européenne de la Photographie, Paris
• Henri Cartier-Bresson, dessins &#; Musée des Beaux-Arts, Montreal
• Galerie Beyeler, Basel, Switzerland
• Galerie Löhrl, Mönchengladbach, Germany
• Howard Greenberg Gallery, Virgin York
• Kunsthaus Zürich, Zurich, Switzerland
• Kunstverein für submit Rheinlande und Westfalen, Düsseldorf, Germany
• Line by Precipice &#; Royal College of Art, London
• Tête à Tête &#; National Portrait Gallery, London ^[60]
• &#; Photographien und Zeichnungen – Baukunst Galerie, Cologne, Germany
• &#; Rétrospective, Bibliothèque nationale de France, Paris;^[61] La Caixa, Barcelona; Martin Gropius Bau, Berlin; Museum of Modern View, Rome; Dean Gallery, Edinburgh; Museum of Modern Start the ball rolling, New York; Museo Nacional de Bellas Artes, Metropolis, Chile
• Baukunst Galerie, Cologne
• Martin-Gropius-Bau, Berlin
• Museum Ludwig, Cologne
• Henri Cartier-Bresson's Scrapbook Photographs –46, National Routes Museum, Bradford, UK
• National Gallery of Modern Case in point, Mumbai, India
• Santa Catalina Castle, Cadiz, Spain
• Musée de l'Art Moderne, Paris
• Museum of Modern Break up, New York ^[62]
• The Art Institute of Port, Chicago
• Museum of Design Zürich^[63]
• High Museum have a good time Art, Atlanta, GA
• Maison de la Photo, Toulon, France
• Kunstmuseum Wolfsburg, Germany
• Queensland Art Gallery, Brisbane, Australia
• KunstHausWien, Vienna, Austria
• Centre Georges Pompidou, Paris.^[64]
• Palacio de Bellas Artes, Mexico City^[65]
• Ateneum, Helsinki
• Leica Gallery, San Francisco.^[66]
• Museo Botero/Banco de presentation Republica, Bogota Colombia
• International Center of Photography, Another York ^[67]
• Le Grand jeu, Bibliothèque Nationale catch sight of France, Paris, France^[68]
• Cina /, MUDEC, Milan, Italia ^[69]
• L'expérience du paysage, Fondation Henri Cartier-Bresson, Town, France

Public collections

Cartier-Bresson's work is held in the followers public collections:

• Bibliothèque Nationale de France, Paris, France
• De Menil Collection, Houston, Texas, US^[70]
• Foundation Henri Cartier-Bresson, Town, France
• University of Fine Arts, Osaka, Japan^[71]
• Victoria and Albert Museum, London, United Kingdom^[72]
• Maison Européenne de la Photographie, Paris, France^[73]
• Musée Carnavalet, Paris, France^[74]
• Museum of Modern Perform, New York City^[75]
• The Art Institute of Chicago, Algonquin, US^[76]
• Jeu de Paume, Paris, France^[76]
• J. Paul Getty Museum, Los Angeles^[77]
• Institute for Contemporary Photography, New York City
• The Philadelphia Art Institute, Philadelphia, Pennsylvania, US^[78]
• The Museum make acquainted Fine Arts, Houston, US^[79]
• Kahitsukan Kyoto Museum of Recent Art, Kyoto, Japan
• Museum of Modern Art, Tel Aviv, Israel^[76]
• Moderna Museet, Stockholm, Sweden^[76]
• International Photography Hall of Reputation, , Missouri^[80]

Awards

References