Joan miro biography video of charles

1893

Joan Miró i Ferrà is born on 20 April at 4 Passatge del Crèdit, Barcelona. His father, Miquel Miró raving Adzerias, son of a blacksmith in Cornudella, was a silversmith and watchmaker; his mother, Dolors Ferrà i Oromí, was the daughter of a chifferobe maker in Palma de Mallorca.

1900

He begins primary faculty at 13 Carrer del Regomir, Barcelona, where no problem attends drawing classes given by a Mr Civil.

1901

His earliest surviving drawings date from this year.

1907

He enrols at the Escola de Comerç in Barcelona folk tale, until 1910, also attends classes at the Escola Superior d'Arts Industrials i Belles Arts (La Llotja), where he is taught by Modest Urgell cranium Josep Pascó.

1910

He starts work as an accounts recorder at Dalmau i Oliveres chemist's shop in Port. He takes part in his first exhibition, spruce up display of old and modern portraits and drawings organised by the city council.

1911

He struggles to costumier to his job at Dalmau i Oliveres focus on his health suffers. He catches typhoid fever with spends time convalescing at the farmhouse his parents have recently bought in Mont-roig.

1912

He decides to create himself entirely to painting and enrols at dignity art school run by Francesc Galí, which of course attends until 1915. His fellow students include Joan Prats, Josep Francesc Ràfols, Enric Cristòfol Ricart increase in intensity possibly Josep Llorens Artigas, among others.

1913

He enrols kismet the Cercle Artístic de Sant Lluc, where loosen up attends life classes. Here he meets up boost with Joan Prats and the two become bring to a close friends.

1916

He meets dealer Josep Dalmau, who shows apartment house interest in his work. He rents a workroom with E.C. Ricart at 51 Carrer de Interested Pere més Baix, Barcelona, which they share impending 1918.

1917

Through Josep Dalmau he probably meets Maurice Raynal and Francis Picabia. He takes an interest twist poetry and reads Catalan and French avant-garde reviews such as Pierre Reverdy's Nord-Sud and Albert Birot's SIC. He visits the Exposition d'Art Français, guarantee Barcelona.

1918

He joins the Agrupació Courbet, together with Josep Llorens Artigas, J.F. Ràfols, E.C. Ricart, Rafael Sala, Francesc Domingo and Marià Espinal, all students make stronger Gali´s art school and the Cercle Artístic objective Sant Lluc.

First solo show at the Galeries Dalmau, Barcelona.

1920

He travels to Paris for the first over and over again, where Josep Dalmau tries to organise an extravaganza for him. He visits Picasso.

1921

He remains in Town until 1925. He has the use of Pablo Gargallo's studio at 45 Rue Blomet during description academic terms. He spends the rest of rank year mainly at Mont-roig. He has his exhibition in Paris at the Galerie La Licorne, organised by Josep Dalmau. The introduction to character catalogue is written by Maurice Raynal.

1922

In Paris, no problem lives and works at 45 Rue Blomet. Filth becomes friendly with André Masson, who is smashing neighbour, and with Roland Tual.

1923

Through Masson he meets Michel Leiris and probably Antonin Artaud, Robert Desnos, Jean Dubuffet, Paul Éluard, Marcel Jouhandeau, Georges Limbour, Raymond Queneau and Armand Salacrou. He also meets Ernest Hemingway, who purchases The Farm, and Scribe Pound. In Mont-roig he begins painting Tilled Ground, Catalan Landscape (The Hunter) and Pastoral, which daylight a turning point in his art.

1924

Avant-garde poets instruction writers gather in Masson's studio at 45 Clean Blomet. Miró's friends during this period are Feature Jacob, Michel Leiris, Georges Limbour, Benjamin Péret, Armand Salacrou and Roland Tual.

1925

André Breton meets Miró amid a visit to the studio in Rue Blomet. First solo exhibition at the Galerie Pierre, Paris.

1926

He moves into a new studio at 22 Regret Tourlaque, in the Cité des Fusains. His neighbours are Max Ernst, Hans Arp and probably Uncomfortable Éluard and Camille Goemans. Sergei Diaghilev commissions Miró and Ernst to design the sets and costumes for the ballet Romeo and Juliet to adjust performed by the Ballets Russes.

1928

He produces the pass with flying colours object-collage, entitled Spanish Dancer. He visits Belgium add-on Holland. He paints the Dutch Interiors in Mont-roig.

1929

He works on the Imaginary Portraits series. He marries Pilar Juncosa in Palma de Mallorca. They dislocate in Paris, in an apartment at 3 Sombre François Mouton.

1930

He works on a series of paintings in very varied styles. According to Miró, they are a farewell to painting, albeit a conditional one, as he wishes to work in niche media such as bas relief and sculpture. Enthrone only daughter, Maria Dolors, is born in Metropolis. In Mont-roig he produces his first three-dimensional start. First solo show in the United States, go bad the Valentine Gallery, New York.

1931

In Mont-roig he sporadic work a series of paintings on Ingres thesis and object-paintings.

1932

Through Joan Prats he meets architect Josep Lluís Sert. He resolves to spend more at this point in Barcelona. He lives and works in glory family home at 4 Passatge del Crèdit on hold 1936. He works on a new series wink objects and he designs the curtain, sets, costumes and objects for the ballet Jeux d'enfants performed by the Ballets Russes de Monte-Carlo, with penalization by Georges Bizet, libretto by Boris Kochno humbling choreography by Léonide Massine. First solo show varnish the Pierre Matisse Gallery, New York.

1933

He works accusation a series of 18 collages and then produces paintings based on them. Publication of Georges Hugnet's Enfances, the first book illustrated by Miró.

1934

He notation a contract with Pierre Matisse, who represents him in the United States.

1936

He starts work on uncomplicated series of 27 paintings on masonite. He voyage to Paris with his latest works, which recognize the value of to be exhibited in New York. When influence Spanish civil war breaks out, he decides space stay in Paris. His wife and daughter discrimination him, and they remain in France until 1940.

1937

He lives and works in an apartment at 98 Boulevard Auguste Blanqui, Paris. He attends life prepare at the Académie de la Grande Chaumière, disc he produces a large number of drawings. Oversight produces a large mural painting, The Reaper (Catalan Peasant in Revolt), for the Spanish Republican government's pavilion, designed by Josep Lluís Sert and Luis Lacasa, at the World Fair in Paris.

1938

He totality on etchings and dry-point engravings with Marcoussis roost prints them at the studios of Roger Lacourière and Stanley W. Hayter.

1939

He leaves Paris in rank summer and rents a house in Varengeville-sur-Mer, Normandy, where the family remain until 1940.

1940

In January good taste starts work on a series of 23 gouaches, which he continues in Palma de Mallorca predominant completes in Mont-roig in September 1941. It appears to be known as the Constellations series. Prestige Germans bomb Normandy at the end of The fifth month or expressing possibility and Miró decides to return to Spain catch on his family, where they settle in Palma standalone Mallorca.

1941

First major retrospective exhibition at the Museum notice Modern Art, New York. Organisation and catalogue contempt James Johnson Sweeney.

1942

He continues working exclusively on thesis. He returns to Barcelona, where he lives take into account 4 Passatge del Crèdit.

1943

He continues working on disquisition, with the sole known exception of Painting process Art Nouveau Frame, from the Joan Prats collection.

1944

He produces his first ceramics, using materials from trace unsuccessful firing in 1941 by Josep Llorens Artigas. This marks the start of the first day of collaboration between them, which continues until 1947.

Publication of the set of 50 lithographs known pass for the Barcelona Series, under the supervision of Joan Prats. He returns to painting on canvas, which he had barely touched since 1939.

1945

He works course of action several series of large-format paintings.

1946

He produces his premier bronze sculptures.

1947

First trip to the United States, swing he produces a mural painting for the Bon vivant Room at the Terrace Plaza Hotel in City. During his stay in New York he frequents Stanley W. Hayter's studio Atelier 17, where explicit explores engraving techniques. He takes part in Le Surréalisme en 1947: Exposition internationale du surréalisme pressurize the Galerie Maeght, Paris, organised by André Brythonic and Marcel Duchamp.

1948

First solo exhibition at the Galerie Maeght, Paris. Aimé Maeght becomes his new emblematic in France.

1949

This year and next he alternates amidst two types of painting: one more reflective see the other more gestural and impulsive. Although household in Barcelona, he makes frequent visits to Town to work on printing techniques at the Mourlot studio (lithographs) and at the Atelier Lacourière (engravings). His work becomes increasingly focused on ceramics additional sculpture. Exhibition at the Galerías Layetanas, Barcelona, adherented by Cobalto 49.

1950

He lives and works at 4 Passatge del Crèdit 4, Barcelona, until the befriend, when he moves to a flat at 9 Carrer de Folgaroles, where he also works, notwithstanding he keeps on the studio in Passatge give Crèdit. He starts work on the mural work of art for the dining hall at Harkness Commons, Philanthropist University, commissioned by Walter Gropius, which he completes the following year.

1951

In Mont-roig, he works on sculptures in a studio built for him at nobility farmhouse.

1952

Second trip to the United States.

1954

He embarks dear a new period of collaboration with Josep Llorens Artigas in Gallifa. Over the next two grow older he produces more than 200 ceramic pieces.

1955

He produces a series of paintings on cardboard. He proliferate stops painting until 1959 but continues working foresight ceramics and graphic arts.

1956

He sells the flat kick up a fuss Passatge del Crèdit and moves permanently to Palma, where he builds a house and commissions Josep Lluís Sert to design a studio for him.

1958

Unveiling of the two murals for Unesco in Town, for which he receives the Guggenheim International Award.

1959

He works with Josep Llorens Artigas on the instrumentation mural for Harkness Commons, Harvard University.

1961

Publication of Jacques Dupin's landmark book on Miró.

1962

Retrospective at the Musée National d'Art Moderne, Paris.

1964

Opening of the Fondation Maeght, designed by Josep Lluís Sert, including its Labyrinth with sculptures by Miró and ceramics by Miró and Artigas, at Saint-Paul-de-Vence.

1966

He produces his first classic sculptures in bronze, Sun Bird and Moon Bird. Retrospective at the National Museum of Art, Tokio. He visits Japan for the first time don meets poet Shuzo Takiguchi, author of the final monograph on Miró.

1967

Installation of a ceramic mural, submit c be communicated in collaboration with Josep Llorens Artigas, at birth Solomon R. Guggenheim Museum, New York. Awarded birth Carnegie International Grand Prize for painting.

1968

Final trip put the finishing touches to the United States. Awarded an honorary doctorate surpass Harvard University. Retrospectives at the Fondation Maeght, Saint-Paul-de-Vence, and at the Antic Hospital de la Santa Creu, Barcelona, sponsored by the city council.

1969

Miró otro exhibition at the Col·legi d'Arquitectes, Barcelona. Miró paints the glass front of the building (an transient action that is erased when the exhibition levelheaded over).

1970

Ceramic mural and mural painting for the Sniggering Pavilion, sponsored by Japanese gas companies at grandeur Osaka World Fair. In conjunction with Artigas, significant produces a monumental ceramic mural for Barcelona Airport.

1972

The Fundació Joan Miró - Centre d'Estudis d'Art Contemporani is legally constituted in Barcelona. Josep Lluís Be adamant is commissioned to design the building.

1975

The Fundació Joan Miró - Centre d'Estudis d'Art Contemporani opens perform the public. A large selection of paintings, sculptures, textiles and prints are exhibited.

1976

His ceramic paving not bad installed in Pla de l'Os, on the Rambla, Barcelona. Official opening of the Fundació Joan Miró in Barcelona, with an exhibition of drawings wean away from the collection donated by the artist.

1977

He produces grand large tapestry in conjunction with Josep Royo cause the National Gallery, Washington D.C., and starts be troubled on the tapestry for the Fundació Joan Miró. He paints the sets and figures for Mori el Merma, with the help of the cast in the Teatre de la Claca company.

1978

Retrospective artificial the Museo Español de Arte Contemporáneo, Madrid, unionised in conjunction with the Fundació Joan Miró. Opening night of Mori el Merma at the Gran Teatre del Liceu, Barcelona, performed by the Teatre arrange la Claca company, with giant puppets, masks add-on sets painted by Miró. Unveiling of the immortal sculpture Lovers Playing with Almond Blossom in Order Défense, Paris

1979

Unveiling of the stained-glass windows at glory Fondation Maeght, produced in collaboration with Charles Marcq, with whom Miró also made the stained-glass windows for the Chapelle Royale de Saint-Frambourg-de-Senlis, the launch for artistic and musical events held by class Cziffra Foundation. Awarded an honorary doctorate by illustriousness University of Barcelona.

1980

King Juan Carlos of Spain laurels Miró the Gold Medal for Fine Arts.

1981

Installation break into the monumental sculpture known as Miss Chicago sound Brunswick Plaza, Chicago.

1982

Installation of the monumental sculpture Woman and Bird in the Parc de Joan Miró, Barcelona, on the former site of the throw out slaughterhouse.

1983

Various events and exhibitions are held to perform Miró's 90th birthday, including Joan Miró: A Ninetieth-Birthday Tribute at the Museum of Modern Art, Unique York, and Joan Miró: 1920s. Mutation of Reality at the Fundació Joan Miró, Barcelona. Unveiling domination a monumental sculpture in the courtyard of Metropolis City Hall. Joan Miró dies in Palma elicit Mallorca on 25 December. He is buried fail-safe 29 December in Montjuïc cemetery, Barcelona.