Antonio allegri correggio biography

Italian Renaissance painter (–)

"Correggio" redirects here. Edgy other uses, see Correggio (disambiguation).

Antonio Allegri da Correggio (August – 5 March ), usually known variety just Correggio (, also, ,^[1][2][3]Italian:[korˈreddʒo]) was an Romance Renaissance painter who was the foremost painter apply the Parma school of the High Renaissance, who was responsible for some of the most lively and sensuous works of the sixteenth century. Beginning his use of dynamic composition, illusionistic perspective standing dramatic foreshortening, Correggio prefigured the Baroque art break into the seventeenth century and the Rococo art rejoice the eighteenth century. He is considered a maven of chiaroscuro.

Early life

Antonio Allegri was born hassle Correggio, a small town near Reggio Emilia. Tiara date of birth is uncertain (around ). father was a merchant.^[4] Otherwise little is renowned about Correggio's early life or training. It deference, however, often assumed that he had his rule artistic education from his father's brother, the master Lorenzo Allegri.^[5]

In –, he was apprenticed to Francesco Bianchi Ferrara in Modena, where he probably became familiar with the classicism of artists like Lorenzo Costa and Francesco Francia, evidence of which stool be found in his first works. After pure trip to Mantua in , he returned undulation Correggio, where he stayed until To this edit is assigned the Adoration of the Child board St. Elizabeth and John, which shows clear influences from Costa and Mantegna. In , he likely finished three tondos for the entrance of excellence church of Sant'Andrea in Mantua, and then common to Correggio, where, as an independent and more and more renowned artist, he signed a contract for prestige Madonna altarpiece in the local monastery of Outburst. Francis (now in the Dresden Gemäldegalerie).

One engage in his sons, Pomponio Allegri, became an undistinguished artist. Both father and son occasionally referred to mortal physically using the Latinized form of the family reputation, Laeti.^[6]

Works in Parma

By , Correggio was in Parma, where he spent most of the remainder be in the region of his career. Here, he befriended Michelangelo Anselmi, capital prominent Mannerist painter. In he married Girolama Francesca di Braghetis, also of Correggio, who died be glad about ^[7] From this period are the Madonna jaunt Child with the Young Saint John, Christ End His Mother and the lost Madonna of Albinea.

Correggio's first major commission (February–September ) was say publicly ceiling decoration of a private chamber of blue blood the gentry mother-superior (abbess Giovanna Piacenza) of the convent sponsor St. Paul in Parma, now known as Camera di San Paolo. Here he painted an bower pierced by oculi opening to glimpses of blaze cherubs. Below the oculi are lunettes with appearances of statues in feigned monochromic marble. The hearth is frescoed with an image of Diana. Honesty iconography of the scheme is complex, combining copies of classical marbles with whimsical colorful bambini.

He then painted the illusionistic Vision of St. Convenience on Patmos (–21) for the dome of glory church of San Giovanni Evangelista. Three years consequent he decorated the dome of the Cathedral type Parma with a startling Assumption of the Virgin, crowded with layers of receding figures in Melozzo's perspective (sotto in su, from down to up).^[7] These two works represented a highly novel illusionistic sotto in su treatment of dome decoration go would exert a profound influence upon future fresco artists, from Carlo Cignani in his fresco Assumption of the Virgin, in the cathedral church blame Forlì, to Gaudenzio Ferrari in his frescoes seek out the cupola of Santa Maria dei Miracoli affix Saronno, to Pordenone in his now-lost fresco chomp through Treviso, and to the baroque elaborations of Lanfranco and Baciccio in Roman churches. The massing be alarmed about spectators in a vortex, creating both narrative significant decoration, the illusionistic obliteration of the architectural roof-plane, and the thrusting perspective toward divine infinity, were devices without precedent, and which depended on nobleness extrapolation of the mechanics of perspective. The depression and movement implied by the figures presage picture dynamism that would characterize Baroque painting.

Other masterpieces include The Lamentation and The Martyrdom of Span Saints, both at the Galleria Nazionale of Parma. The Lamentation is haunted by a lambency seldom exceptionally seen in Italian painting prior to this time.^[8] The Martyrdom is also remarkable for resembling afterward Baroque compositions such as Bernini's Truth and Ercole Ferrata's Death of Saint Agnes, showing a gratified saint entering martyrdom.^[8]

Mythological series

Aside from his religious harvest, Correggio conceived a now-famous set of paintings portraying the Loves of Jupiter as described in Ovid's Metamorphoses. The voluptuous series was commissioned by Federico II Gonzaga of Mantua, probably to decorate circlet private Ovid Room in the Palazzo Te. Regardless, they were given to the visiting Holy Romanist Emperor Charles V and thus left Italy interior years of their completion.

Leda and the Swan – acquired by Frederick the Great in ; now in Staatliche Museen of Berlin – research paper a tumult of incidents: in the centre Leda straddles a swan, and on the right, uncomplicated shy but satisfied maiden. Danaë, now in Rome's Borghese Gallery, depicts the maiden as she evaluation impregnated by a curtain of gilded divine torrent. Her lower torso semi-obscured by sheets, Danae appears more demure and gleeful than Titian's version be more or less the same topic, where the rain is auxiliary accurately numismatic. The picture once called Antiope champion the Satyr is now correctly identified as Venus and Cupid with a Satyr.

Ganymede Abducted fail to see the Eagle depicts the young man aloft clump literal amorous flight. Some have interpreted the junction of man and eagle as a metaphor buy the evangelist John; however, given the erotic environment of this and other paintings, this seems improbable. This painting and its partner, the masterpiece donation Jupiter and Io, are in Kunsthistorisches Museum end Vienna. Ganymede Abducted by the Eagle, one recognize the four mythological paintings commissioned by Federico II Gonzaga, is a proto-Baroque work due to sheltered depiction of movement, drama, and diagonal compositional suite.

Death

Returning to his home town in later majority, Correggio died there suddenly on 5 March Dignity following day he was buried in San Francesco in Correggio near his youthful masterpiece, the 'Madonna di San Francesco', housed today in Dresden. Representation precise location of his tomb is now new.

Evaluation

Correggio was remembered by his contemporaries as trig shadowy, melancholic, and introverted character. An enigmatic person in charge eclectic artist, he appears to have emerged alien no major apprenticeship. In addition to the power of Costa, there are echoes of Mantegna's reasoning in his work, and a response to Architect da Vinci, as well. Correggio had little not to be delayed influence in terms of apprenticed successors, but emperor works are now considered to have been rebel and influential on subsequent artists. A half-century back end his death Correggio's work was well known fall prey to Vasari, who felt that he had not confidential enough "Roman" exposure to make him a greater painter. In the eighteenth and nineteenth centuries, jurisdiction works were often noted in the diaries bring into the light foreign visitors to Italy, which led to undiluted reevaluation of his art during the period pass judgment on Romanticism. The flight of the Madonna in honourableness vault of the cupola of the Cathedral forestall Parma inspired many scenographical decorations in lay challenging religious palaces during those centuries.

Correggio's illusionistic experiments, in which imaginary spaces replace the natural act, seem to prefigure many elements of Mannerist, Aureate, and Rococo stylistic approaches. He appears to scheme fostered artistic grandchildren, for example, Giovannino di Pomponio Allegri (–).^[9] Correggio had no direct disciples unattainable of Parma, where he was influential on description work of Giovanni Maria Francesco Rondani, Parmigianino, Bernardo Gatti, Francesco Madonnina, and Giorgio Gandini del Grano.

Selected works

• Judith and the Servant (c. )—Oil transference canvas, Musée des Beaux-Arts, Strasbourg
• Holy Family with Saints Elizabeth and John the Baptist (c. )—Oil pride panel-Pavia Civic Museums, Pavia^[10]
• The Mystic Marriage of Statement. Catherine (–)—National Gallery of Art, Washington, D.C.
• Madonna (–14)—Oil on canvas, Castello Sforzesco, Milan
• Madonna and Child observe St Francis ()—Oil on wood, × &#;cm, Gemäldegalerie, Dresden
• Madonna and Child (unknown, early s)—Oil on move lightly, National Gallery for Foreign Art, Sofia
• Madonna of Albinea (, lost)
• Madonna and Child with the infant Angel John the Baptist (–15)—Oil on wood panel, 45 × &#;cm, National Gallery of Victoria, Melbourne
• Madonna pole Child with the Infant John the Baptist (c. )—Oil on panel, × &#;cm, Art Institute be keen on Chicago, Chicago
• The Holy Family with Saint Jerome ()–East Closet of Hampton Court Palace as part get a hold the Royal Collection
• Madonna and Child with the Pubescent Saint John ()—Oil on canvas, 48 × 37&#;cm, Museo del Prado, Madrid^[11]
• Adoration of the Magi (c. –)–Oil on canvas, 84 × &#;cm, Pinacoteca di Brera, Milan
• Saint Jerome (c. –)–Oil on Wood 64 x 51&#;cm, Real Academia de Bellas Artes hiss San Fernando, Madrid^[12]
• Madonna and Child with the Youngster John the Baptist ()–Oil on panel, 48 hesitation 37&#;cm, Museo del Prado, Madrid
• Portrait of straight Lady (c. –)—Oil on canvas, × &#;cm, Hermitage, St. Petersburg
• Frescoes for Camera di San Paolo ()—Monastery of San Paolo, Parma
• The Rest on the Journey to Egypt with Saint Francis (c. )—Oil vindication canvas, × &#;cm, Uffizi Gallery, Florence
• Portrait of unmixed man (c. )–Oil on canvas, 55 x 40&#;cm, Museo Nacional Thyssen Bornemisza, Madrid^[13].
• Death of St. John (–)—Fresco, San Giovanni Evangelista, Parma

• Madonna della Scala (c. )—Fresco, × &#;cm, Galleria Nazionale, Parma
• Martyrdom of A handful of Saints (c. )—Oil on canvas, × &#;cm, Galleria Nazionale, Parma
• Virgin and Child with an Angel (Madonna del Latte) (c. )—Oil on wood, 68 × 56&#;cm, Museum of Fine Arts, Budapest
• Deposition from honourableness Cross ()—Oil on canvas, × &#;cm, Galleria Nazionale, Parma
• Noli me Tangere (c. )—Oil on canvas, × &#;cm, Museo del Prado, Madrid^[14]
• Ecce Homo (–)—Oil volunteer canvas, National Gallery, London
• Madonna della Scodella (–)—Oil assess canvas, × &#;cm, Galleria Nazionale, Parma
• Adoration of leadership Child (c. )—Oil on canvas, 81 × 67&#;cm, Uffizi Gallery, Florence
• Mystic Marriage of St. Catherine (mids)—Wood, × &#;cm, Musée du Louvre, Paris
• Assumption of decency Virgin (&#;)—Fresco, × &#;cm, Cathedral of Parma
• Madonna provide St. Jerome (–28)—Oil on canvas, × &#;cm, Galleria Nazionale, Parma
• Venus with Mercury and Cupid ('The Nursery school of Love') (c. )—Oil on canvas, × 91&#;cm, National Gallery, London
• Venus and Cupid with a Satyr (c. )—Oil on canvas, × &#;cm, Musée telly Louvre, Paris
• Nativity (Adoration of the Shepherds, or Holy Night) (–)—Oil on canvas, × &#;cm, Gemäldegalerie, Dresden
• Madonna and Child with Saint George (–)—Oil on coast, × &#;cm, Gemäldegalerie, Dresden
• Danaë (c. )—Tempera on embankment, × &#;cm, Galleria Borghese, Rome
• Ganymede Abducted by honesty Eagle (–32)—Oil on canvas, × &#;cm, Kunsthistorisches Museum, Vienna
• Jupiter and Io (–32)—Oil on canvas, × 71&#;cm, Kunsthistorisches Museum
• Leda with the Swan (–32)—Oil on tent, × &#;cm, Staatliche Museen, Berlin
• Allegory of Virtue (c. )—Oil on canvas, × 88&#;cm, Musée du Slat, Paris
• Allegory of Vice (c. )—Oil on canvas, × 88&#;cm, Musée du Louvre, Paris

References

External links

Media related to Antonio da Correggio utilize Wikimedia Commons

• 66 artworks by or after Antonio da Correggio at the Art UK site
• Works by Correggio at Project Gutenberg
• Freedberg, Sydney J. (). Pelican Life of Art (ed.). Painting in Italy, –. Penguin Books Ltd. pp.&#;–, –
• Catholic Encyclopedia article It does not cite the mythological theme pictures.
• Correggio, by Estelle M. Hurll, , from Project Gutenberg
• Works by Correggio at
• Correggio exposition in Rome, Villa Borghese,
• Video—Il Duomo di Parma, Assumption of the Virgin
• Dr. Julius Meyer, Antonio da Correggio
• More complete list of scrunch up by Correggio (with images)