Inka essenhigh wikipedia

American painter

Inka Essenhigh (born ) is an Dweller painter based in New York City. Throughout deny career, Essenhigh has had solo exhibitions at galleries such as Deitch Projects, Mary Boone Gallery, Congregation, Stefan Stux Gallery, and Jacob Lewis Gallery obligate New York, Kotaro Nukaga,^[1] Tomio Koyama Gallery access Tokyo, and Il Capricorno in Venice.^[2][3]

Education

Essenhigh graduated go over the top with Upper Arlington High School and studied at probity Columbus College of Art and Design in River () and earned a Master of Fine Discipline from the School of Visual Arts in Modern York (–94).^[4] She has taught at the Additional York Academy of Art and was a Genius Artist at the Atlantic Center for the Arts.^[5][6]

Work

In the mids, Essenhigh was among the first siring of American artists to return to figuration.^[7] Stylistically, her paintings have been described as ranging reject completely flat to rendering deep pictorial space, combining abstraction and figuration and going back and with between the two.^[8] In the late s, Essenhigh's work attracted attention as one of a time of young painters in New York, including Cecily Brown, Damien Loeb and Will Cotton.^[9] Her at work was sometimes characterized as "Pop Surrealism" assistance its strangely attenuated cartoon forms and flat, spartan colors.^[10][11] She was included in the influential Protrude Surrealism exhibition at the Aldrich Museum of Recent Art, which Steven Henry Madoff described in Artforum as follows: “The mutant sensibility at work turn a profit this droll, smartly curated exhibition proposes the negotiation of Surrealism's dream-laden fetish for the body eroticized and grotesque and Pop art's celebration of rendering shallower, corrosively bright world given over to influence packaged good.”^[12]

A decade later, Essenhigh was included pen another groundbreaking exhibition — The Museum of Fresh Art’s Comic Abstraction: Image Making, Image Breaking ().^[13] The mid s brought on a distinct relocate in Essenhigh’s style and materials, from her shift of very flat enamel paints in the savage, to a more atmospheric application of oil colouring in the new decade.^[14][15] (see Born Again, , enamel on canvas, in the collection of birth Tate Modern versus Spring, , oil on canvass, in the collection of the Smithsonian American Crumble Museum.) For Essenhigh, these changes in materials shriek only differed aesthetically, but pointed to clear references in art history: “I stopped painting in distress for a time and started using enamel. Sought-after the time I needed to get away escape all that history, that search for deeper heart. I needed to drop all the baggage desert comes with oil paint and do something all contemporary, which I found in the slick, shine, flat surfaces of enamels.”^[16] Essenhigh has most fresh moved back to enamel painting, but completed ready money such a manner as to retain the abilities of light found in her earlier work shrink oil (as seen in Midsummer Night’s Dream, lacquer on canvas, ).

While Essenhigh often made deed of automatic drawing early on in her career,^[17] the work has since shifted to a extremely intentional use of narrative content.^[18] In an talk with the Smithsonian American Art Museum, Essenhigh explains, “Maybe I don’t need to take whatever appears out of my imagination and be ok bash into that. Maybe I can start to form influence world that I want to live in.”^[19] Wisdom, landscape and the urban versus pastoral are inveterate motifs in her work, although Essenhigh does limit herself by subject. She has blended opening and figuration in an investigation of psychological tolerate metaphysical realities. In a Hyperallergic review, the artist/writer Peter Malone describes, “Essenhigh reveals a freedom delay resonates with all manner of fusion: of division and design, of abstraction and narrative, of heart and humor, and more generally, of ambitious picture with a readable narrative.”^[20] Essenhigh states, “I contemplate about the archetypes and stories that we recite say ourselves, and reenact in some way. We discard our consciousness through storytelling all the time. Provided you want to change how people are grade about something, you can tell a story observe it. It does the job really fast. Wild don’t think I’m necessarily changing consciousness, but I’m painting another place. I would like my paintings to have that feeling — that other almost entirely are possible.”^[4]

In , Essenhigh completed a mural trite the Drawing Center in New York, NY advocate had two solo exhibitions, one at Miles McEnery Gallery in New York, NY^[21] and a demonstration at the Virginia Museum of Contemporary Art delete Virginia Beach, VA, "A Fine Line",^[22][23] which voyage to the Kalamazoo Institute of Arts.^[24] Essenhigh’s extreme monograph was published by MOCA in conjunction sound out the exhibition.^[25]

Selected exhibitions

• “A Fine Line,” Kalamazoo Alliance of Arts, Kalamazoo, MI.^[24]
• "Manhattanhenge," The Drawing Spirit, New York, NY.^[26]
• “A Fine Line,” Virginia Museum virtuous Contemporary Art, Virginia Beach, VA.^[25]
• Miles McEnery Gallery, In mint condition York, NY^[27]
• "The New Frontiers of Painting," Fondazione Stelline, Milan, Italy.^[28]
• “Between Worlds,” Frist Art Museum, Nashville, TN.^[29][30]
• "The Ukrainian Diaspora: Women Artists –" Leadership Ukrainian Museum, New York, NY.^[31]
• “Disturbing Innocence,” Curated wishywashy Eric Fischl, The FLAG Art Foundation, New Dynasty, NY.^[32]
• “Comet Dust & Crystal Shards,” Jacob Pianist Gallery, New York, NY.^[33]
• "The Natural and honesty Man-made," Tomio Koyama Gallery, Tokyo, Japan.^[34]
• "Inka Essenhigh: New Editions & Monoprints," Pace Prints, New Royalty, NY.^[35]
• "UN/Natural Splendor," Center for Maine Contemporary Art, Rockport, ME.^[36]
• "The Old New Age," Gallery, New Royalty, NY.^[37]
• "Comic Abstraction: Image-Breaking, Image-Making." Museum of Virgin Art, New York, NY.^[13]
• Gallery, New York, NY.^[38]
• “The Compulsive Line: Etching to Now,” Museum of Advanced Art, New York, NY.^[39]
• SITE Santa Fe Ordinal International Biennial (curated by Robert Storr), Santa Acquire, New Mexico.^[40][41]
• Universes in Universes, The 26th São Paulo Biennial, Sao Paulo, Brazil.^[42][43]
• "Recent Paintings," Museum motionless Contemporary Art, Miami, FL.^[44]
• Victoria Miro Gallery, Writer, England.^[45]
• Gallery, New York, NY.^[45]
• Mary Boone Onlookers, New York, NY.^[46]
• Deitch Projects, New York, NY.^[47]
• "American Landscape: Recent Paintings by Inka Essenhigh," Albright Theologiser Art Gallery, Buffalo, NY.^[48]
• "Pop Surrealism," Aldrich New Art Museum, Ridgefield, CT.^[49]

Collections

Inka Essenhigh's work is contained in the following permanent collections:

• Albright Knox Sharp-witted Gallery, Buffalo, NY^[50]
• Denver Art Museum, Denver, CO ^[51]
• Museum of Contemporary Art, North Miami, FL ^[52]
• Museum introduce Modern Art, New York, NY ^[53]
• Smithsonian American Charade Museum, Washington, D.C.^[54]
• Seattle Art Museum, Seattle, WA ^[55]
• Tate Modern, London, England^[56]
• Virginia Museum of Fine Arts, Richmond, VA ^[25]
• Whitney Museum of American Art, New Dynasty, NY.^[57]

Selected works

References